Effect Of Postimpressionists On The Next Generation

Post-doctrine is a movement in French painting in the second half of the nineteenth century, which highlights the personal reaction of the artist to the subject. The name of the post-Impressionist derives from the art movement immediately after that. Impressionism. However, Impressionist painters are focusing on the subject's direct appearance, but the post-Impressionist expert focuses on the emotional or spiritual meaning that the subject can convey. Impressionist artists interpret what they are seeing, but their way is still rooted in the observations of the natural world.

Impressionist painters are seeking various directions and ways without worrying about the appearance of their theme. It opens the way to the development of contemporary art. It is mainly based on the emotions and concepts of individual artists. Impressionists were held outdoors, but the late Impressionists were held in the studio. This is a slow process involving a systematic process

Post-doctrine is the term used in various painting styles after the French Impressionists in the late 1880's. British artist and critic Roger Fry (1886-1934) called this term sports in 1910. Post-Impressionist art comes from Impressionism, but it is different from traditional trends. Artists such as Paul Cezanne, Paul Gauguin, Vincent van Gogh and Gorges Seurat are the most famous artists. Posthumorists have adopted different approaches to new art forms, but they contradict traditional and academic artistic views.

After a short period of research at the art school in Paris, Munch began to explore the possibilities offered by the French post impressionists. The death of his father in 1889 caused a great mental crisis and immediately rejected Jaguar's philosophy. The night of Munk in St. Cloud in 1890 came to have a new interest in spiritual content and this picture is commemorating that his father shows a frustrated attitude of the artist. He summarized his intention and stated that "I drawn what I saw, not drawing what I saw," he defined his painting as "symbol: nature."

One of the most famous painters for centuries is Paul Gauguin. When talking about obsession with primitive and exotic art, we mean mainly artists are about to move in this direction. Like most post-impressionists, he is an impressionist and began to focus on traditional natural rendering with the help of new colors and light effects. As time passed when he was already a famous painter, he noticed that Impressionists themselves had their own limits and chose a different direction. He not only did this in a figurative sense but also moved to Tahiti to study new opportunities for artistic progress. Let's take a closer look at some of his stories in the Tahitian era, let's discover the novelty they will have on how it relates to the Impressionist tradition and, on the other hand, to the original art form.