Eerie, Eldritch Erlkönig

Goya 's reasonable sleep creates monsters that are an ominous image of the human darkness. Even though he is besieged by mysteries and evil-related creatures in the folk tradition of Spain, it is clear that people peacefully sleep. Because these animals appear to be approaching animals that achieve a terrible environment within the aquatint (etch methods can create rough sketches), there is a dark sense of "outdated". Mysterious creatures are not staring at the sleeping figure, but sitting in the middle of the frame, staring at the audience.

"Erlkönig" (also known as "DerErlkönig") is a poem by Johann Wolfgang von Goethe. It depicts the death of a child who was attacked by paranormal, Erlking or "Erlkönig" (an implicit literal translation of "Elm king"). It consisted of Goethe as part of the 1782 Singspiel, originally named Die Fischerin. A boy who was interested took her on a horse and was taken to his father. German Hof has a very broad meaning, ie "courtyard", "courtyard", "farm" or (noble) "court". Because the father's social position lacks concreteness, the reader can imagine details

Erlkönig is also sometimes called Erl-King or Elf-King, Franz Schubert's song written in 1815 based on a poem of the same name by Johann Wolfgang von Goethe in 1782. Many people think "Erlkönig" is one of the best folk songs ever. This song was written for two performers, singers and pianists, and it takes only 4 minutes to complete a series of tension and drama. When Schubert made it, Schubert was 18 years old, so its effect is impressive. Schubert 's inspiration comes partly from his friendship with many talented singers who made about 600 art songs during his short career (he died at the age of 31). "Erlkönig" is most famous so far. Poems that provide their text come from Scandinavian folklore, like a supernatural story of many major literary era. Goethe's poem is the story of a boy on a horse in the arms of his father.

In 1815, Franz Schubert created "Elkonig", a solo solo vocal made with Goethe's poetry and his lie for the piano. Schubert corrected the song three times before his fourth edition as a publication of Opus 1 in 1821. In the Schubert catalog of 1951, Otto Erich Deutsch used it as D. 328. This song was first sung at the private party in Vienna on December 1, 1820 and was premiered at the Kärntnertor Theater in Vienna on March 7, 1821. Four characters in the song - narrator, father, son and Erlking - are usually sung by a singer; but occasionally work is done by four independent singers (or 3, one of them has narrator The role of Erlking) Schubert sets various ranges of sounds with different rhythm nuances for each character. In addition, most singers try to color different parts of each part.