Edwin S. Porter, D. W. Griffith, and George Melies Film Techniques

Edwin S. Porter Edwin S. Porter provides the following editing styles and techniques for the movie. He used dissolution during each shot, and he often repeated the same action during the dissolution process. According to Filmrefrence.com ", a new Vitascope projector, Porter in Indiana and California, Edison, worked with them as a projector in Los Angeles and Indianapolis, during the second half of that year, for the rough and gammon in New York Worked but after leaving Edison, Rough & Gamon broke.

Through the early film history, the children were at the center of the movies such as Jack and Iron Stark's title (Edwin S. Porter, 1902) and Adventures of Dolly (DW Griffiths, 1908). Land Beyond and other sunsets of the game (1912). However, as the Hollywood star system developed in the 1910s, the role of many children was strengthened by mature actors such as Mary Pickford (1892-1979) who was in "poor girl" (1917). Year) played the role of 10 years old. When I was 24 years old. In 1919, Lillian Gish (1893 - 1993) played the role of a child like a wanderer at Broken Flower (1919) at the age of 23, and her adult co-star, Richard Basel 1895 -1963) played a role. Film Square Enclosure

D. W. Griffith's American silent film. Although this film was commercially successful, it is controversial for the portrayal of African-American men who are not sensitive to sexual abuse and sexual assault, as well as depiction of KKK as a heroic faction. It is also considered to be one of the events that influenced the formation of "Second Times" KKK. Griffith's innovative film technology makes it one of the most important and influential films in the commercial film industry, despite the controversial content of the film.

The outbreak of World War I broke the rise of European movie theaters, and the American movie industry flourished with the innovative work of DW Griffith at the rise of Hollywood, especially "The Birth of the Country" (1915). Intolerance (1916). However, in the 1920s, European filmmakers such as Sergei Eisenstein, FW Murnau and Fritz Langg were influenced by Griffiths Movie War and Charles. Contributions such as Chaplin and Buster Keaton soon caught up with American movie production and continued to advertise the media further.