Edward Gordon Craig and Theater

Edward Gordon Craig used his 19th century idea to revolutionize the 20th century theater drama semester semester and discuss Craig's view on the ideal theater - total theater - role of the director - officials ( Super puppet) - Stage (Animation Theater) - Sports Edward Gordon Craig revolutionized the drama of the 20th century using the idea of ​​the 19th century. It is necessary to defeat naturalistic customs such as text based drama, art development, adjustment of all elements of the drama, sounds to form a unified stage image, lighting, creation of theater based on movement Craig thought there was.

In the 20th century, many theatrical practitioners of genealogies such as Meyer Hold, Edward Gordon Craig and Jack Cooper tried to remove naturalism. They turned their attention to media such as Oriental Theater (especially the Japan Theater) and Comedia Dell'Arte. Both emphasized the formation of a unique mask. Edward Gordon Craig (1872-1966) proposed the advantage of using a mask instead of the actor's naturalism in A Note on Masks (1910). Craig was very influential and his ideas were inspired by Brecht, Cocteau, Gnette, Eugene O'Neill and later by Arden, Grotowski and Brooke, and other people. It is accepted by people who are truly religious theaters.

Konstantin Stanislavski and Edward Gordon Craig were one of the most influential theater experts of the 20th century and cooperated on the innovative nature of the Moscow Art Museum from 1911 to 2012. It works. Craig likes stylized abstraction, but Stanislavski has his "system" and explores psychological motives. Craig thinks that the drama is a symbolic one-man show that provides a dreamlike vision like Hamlet's eyes. This was the most obvious in the performance of the first venue. The most famous production aspect is that Craig uses a large abstract screen that changes the size and shape of the performance area of ​​each scene. This represents the spatial idea of ​​the character and the dramatic progress of the visualization. This work gathered the warm and unprecedented worldwide attention of this theater and put it on the "Western European Culture Map".

Until the 20th century, the standards for stage design were based on foreground relationships and the view of the theater framework. Early in the 20th century, a revolutionary stage designer like Edward Gordon Craig tried this 2 dimensional stage design approach with three dimensional concepts and experiments. Because Hampstead greenhouse was the only available space, for his first work, Craig had to design his own stage. The width of the concert hall is 44 feet and there is a series of staircase platforms at one end to accommodate the orchestra. Craig's work has become a feature of his work. Ceiling height is always horizontal, Craig uses Herkomer's ceiling lighting and sky effect technology. The low stage was built to provide stage and stage bridge to the lighting staff. To promote 75 actors and chorus, use the entire width of the stage. This creates a wonderful panoramic effect