ECSTATIC RESISTANCE

Ecstasy Resistance is a project, a part of philosophy, a series of strategies and group exhibitions projected by Emily Roysdon.

Yael Bartana, Sharon Hayes, Matthew Lutz-Kinoy, My Barbarian, Jeanine Oleson, Ulrike Ottinger, Adrian Piper, Dean Spade and Craig Willse, A. L. Steiner and Ian White

Rosa Barba, Yael Bartana, Juan Davila, Sharon Hayes, Xylor Jane, My barbarian, and Liudni Slibinai, Ulrike Muller, Jeanine Oleson, A. L. Steiner, Joyce Veland cooperation

Jeanine Oleson and Julianna Snapper, Dean Spade and Craig Willse, PIG / Politically Involved Girls (Ig White, Zackary Drucker, Mariana Marroquin) and Ian White

Ecstasy resistance is part of the project, practice, philosophy and a series of strategies. While seeking re-expression of imagination it will develop an impossible position. Ecstasy resistance is the limitation of expression and readability - a strategy that weakens the limits that can be understood and the hegemonic opposition is weakened. It wants to talk about resistance pleasure - to modernize the structure to focus life, life and self instability and plasticity. That's about the temporary nature of waiting and changing. Ecstatic Resistance wants to consider all things impossible or unexplainable in the feminine-centered world order in the center of Europe.

Ecstasy resistance is a quest for the transient nature of change. Time, time of change, duration and importance of change and drama - arc of history. Ecstatic timeliness opens up a nonlinear experience that seems to be preventing the relationship between the speed of the broken neck and the moment from vibrating in a difficult spirit. The exhibition is aimed at putting together various projects showing various ecstasy resistance in terms of concept, aesthetics and generation. The exhibition incorporates the problem of "possible" into a new field where the symbolic movement of culture is long enough to reproduce the excess of that expression. Some works create a place where you can build an ethical structure you can not thrive. Others emphasize the life experience of impossible and resistant. They said that the power is very happy

The ecstatic struggle has developed an impossible position as a viable and creative theme. And I destroyed the wording of power. By exposing the impossibility of the past, historic actors are thus revealed as modern abandoners. Ecstasy resistance changes this by celebrating the impossible life experience and where our best future is. In addition to being unable to live, the ecstasy organization believes it is impossible to become a model of politics. Politics is a system that is prohibited and can not be completed. When politics is defined as "rationality and progress" it obscures the dominance of oppression. Convert political views from aggressiveness to pointing to those limits and selective application and reorganize the hierarchy of political entities. Forever impossible