Ecstasy of St. Theresa by Bernini and The Swing by Fragonard

From the 17th century to the 18th century in Europe, a full-fledged and symmetrical art movement of Baroque style and Rococo style was born. There are two different eras, we find dramatic and overly dramatic trends, others show more fun and relaxed sensibility in sophisticated landscape. The ecstasy of Bernie 's St. Teresa in the Baroque era of Roman times reflects that of Rococo' s Jean - Honoré Fragonard, very similar in Swing, and contradiction in composition and theme.

A good example of Benignun's work to help you understand the Baroque style is that he was built in the Sacred Heart of the Virgin Mary Church of Santa Teresa (1645-1652) for the Connaro Church of Santa Maria de la Victoria church in Rome . . Benigni designed the entire church for the Konaro family. This is an auxiliary place beside the church. Basically, he has a brick box shaped like a front end stage space that can be used for work. Santa Teresa is the focal point of the church and is a black and white marble image (soft white) surrounded by colorful marble architectural frames, with windows hidden to illuminate the statue. In the relief the statues of the Cornares family live in the opera box along both side walls of the church. The stage places audiences as audiences in front of the statues, the Cornares leaning from the box seats and stretching forward to see the mysterious ecstasy of the saints. St. Teresa is ideal for details and fictional environments.

Jean Lorenzo Bennini's Santa Teresa ecstasy is Baroque sculpture. This is a visually dramatic depiction of St. Teresa's using arrows to pierce her heart. She said that it is painful and pleasant. Marble sculptures are full of movement, drama and emotions. When looking at the face of Santa Teresa, people can see contrasting emotions. This is a religious sculpture designed to evoke a strong religious experience for worshipers. Similarly, the dramatic, emotional, sporty and religious themes of this sculpture are characteristic of Italian Baroque style.

In this case, the reference to the art piece will be ecstasy of St. Teresa of Benignuni. With the expression of the face of a woman in sculpture, she certainly will experience some strong, strong ones. The title means its religious ecstasy, but sculpture is too sexual for it. This is a very cautious period, so I feel sculptures are wide. She looks very sexual, but if you look carefully, she may also feel pain. NT: Yes, there. In this case, they try to turn sexual energy into more productive one. Because non-channel sexual energy is very destructive. We have recently been quite liberal and free, but unless our sexual energy is checked, we will be a bastard, we are not good for others.