Early Salsa Music from 1970-1980

Early salsa music from 1970 to 1980 will be the focus of this world's music type research. Salsa music includes salsa music and songs developed in New York before being recognized in the 1970s. However, as a source of salsa, Cuba is believed to be the first salsa music in New York before 1970. "Salsa" has the meaning of "source" which is the product of the interaction between African Americans and Latino Americans. New York City decides their culture and attempts to gather to maintain their sense of belonging among them.

Salsa music was developed in Puerto Rico and Cuba immigrants in downtown New York in the 1960s and 1970s, but it was mainstream in Latin America until the late 1980s. Meredeng music experienced in the late 1970s is the golden age of productivity characterized by the emergence of a new generation of musicians.

The second evolution of Latin Puerto Rican migrants in the late 1970s greatly contributed to the development of New York salsa in the "NuYorican" era of Hector Lavaux, which promoted salsa and contemporary Latin music around the world. Salsa superstar of Puerto Rico is the most important musician of this era. Salsa artists who went beyond two eras, in particular the legendary Puerto Rican Tito Puente ("Mambo")

During the development of salsa, the main Puerto Ricans were Papo Lucca of Sonoro Ponceña and Bobby Valentin, a trumpet player in New York's bassist in the 1960s. In the 1970's, Valentin recorded a series of salsa songs including the classic 'Soya Boricua' in 1973 (I am a Puerto Rican). However, in the 1970s and 1980s, the most famous Puerto Rican salsa star was a spectacular singer Hector Labav. In the 1980s, artists of Puerto Rico became the center of development of salsa, creating a new salsa romantic style. The singer LaloRodríguez may become the biggest whole Latin American song "Ven, devórameotravez" (Come and Devour Me Again) in the 1980s. But in the 1990's, the top star was Eddie Santiago, his style lyrics ("Insaciable").

This early 1970's record is part of the salsa Christmas album (Asalto Navideño). There, Willie Colon is a combination of Puerto Rico's Jibao music (rural folk music, roughly) and salsa's urban energy. In New York and Puerto Rico, I enjoy dancing and singing through family meetings during Christmas. Elements of Jibaro include Quattro's sound (five strings of Puerto Rico's guitar), a trombone line of stringed instruments (not a musical instrument, a melody, borrowed from the aginaldo's Giverstal), and a singer's voice and words Hector Lavaud It contains. After the three poems highlighted by these jibaro elements, the song turns into a crown, a crown called "Improvisation Salsa Dance", and a multi-rhythmical texture including reaction improvisation and piano. Cuatro) guajeo and conga tumbao