Dracula and the Modern Vampire

His skin is pale, his hair is smooth, his lips are red, his lips are pure white, he is Dracula, the original vampire. Bramstalker's famous novel "Dracula" was created in 1897 and is creating waves of vampires that exist today. It stimulated countless novels, movies and songs throughout the world, and its popularity is still growing. When the times changed, Dracula and his predecessor did the same thing. Dracula is about counseling Dracula and this man Jonathan Hack, and Jonathan and his friend learned that count Dracula is a vampire.

In Hollywood, Dracula is seen as an attractive and handsome vampire wearing suit and cloak. To study the contemporary concept of vampires, it is important to understand the main classical concepts. Several movies and television depict classic vampires. One of the classic vampires can be seen in the movie "Interviewing Vampires" and Bram Stoker's "Dracula" (Bartlet & Idriceanu, 2006, 125). Classicalists are depicted as vampires with a pale, thin skinny and pale appearance. Gordon (2004, 89) said, "Someone thought that classical things need to drink blood to compensate for blood supply not only to compensate for nutrition but because it was deemed dead" classic The concept of a vampire is derived from the history of the Carpathian Mountains, and it describes the vampire research and analysis of Vlad Tepes and Bram Stoker (Jennings, 2004, 295).

In Bramstock's vampire (1897), there was no effort to describe the influence and certainty of a vampire in a popular novel. It treats vampires as possessions of infectious devils and treats as hints of sex, blood, and death resonating in Victoria Europe where tuberculosis and syphilis are common. The characteristics of vampires depicted in Stoke's work merge with tradition of folklore and eventually evolve into a fictitious vampire of the modern age. Borrowing past works such as "Vampire" and "Camilla", Stoke read Emily Gerard's "Forest Land (1888)" and other related Terran and studied his new book in the late nineteenth century I began to work and vampires in Sibania. In London, colleagues told him about VladŢepeş "Dracula in real life" and Stoke soon incorporated this story into his book. The first chapter of the book was omitted when it was published in 1897, but it was issued as a guest of Dracula in 1914.