Dostoevsky as Performer

Dostoevsky as a performer who tells stories and reads aloud, played an important role in the life of the young Fyodor and influenced his successful composition writing efforts and his literary performance. His nanny and nurse introduced the folklore and the saint's life to the children of Dostoevsky through the story they talked about. Nanny Alyona Frolovna tells children the story of ancient Russia. St. Sergei in Moscow is intertwined with his sanctity, heroes, legends, folklore, Christianity, and myths of Russia. It is difficult for a child to fall asleep (Gunn 10).

Fyodor Dostoevsky, born on 11th November 1821, is the second child of Dr. Mikhail Dostoevsky and Maria Dostoevskaya (Nechayeva born). He grew up at a lowland Malinsky Poverty Hospital's home at the edge of Moscow. While playing in the hospital garden Dostoevsky met the patient at the lower end of Russian society. Dostoyevski was introduced to literature from an early age. From the age of 3, he is reading the legend, fairy tale and legend of his nanny arena Fluorovna. Alena Frolovna is a particularly influential person in his growth and love for fictitious stories. When he was 4 years old, my mother taught me to read and write the Bible. His parents introduced Russian writers Karamzin, Pushkin and Derzhavin, Gothic novels such as Andrácliff, Romantic works of Schiller and Goethe, various literary works including Cervantes and Walters. Coat's heroic story and Homer's epic

Dostoevsky as a performer who tells stories and reads aloud, played an important role in the life of the young Fyodor and influenced his successful composition writing efforts and his literary performance. His nanny and nurse introduced the folklore and the saint's life to the children of Dostoevsky through the story they talked about. - Dmitry Shostakovich Dmitry Shostakovich, born September 25, 1905, began learning piano lessons from her mother when he was nine, before he practiced strings next to him. The music quartet showed interest. In 1919 he entered the Congo (formerly St. Petersburg, later Leningrad) Music Conservatory, where he studied Leonid Nikolaev and piano with Alexander Glaz until 1923 and until 1925 Nove is Maximilian Steinberg I worked with him.