Dorothy Parker’s Big Blonde

In this story, the power struggle between men and women has been witnessed mainly through interactions, where women have not reached the level desired by men. With this, women like hazel can easily be replaced in men's life. Parker's woman has no reasonable way to gain strength other than being satisfied and loved. The reader sees that hazel seems to be separated from other women in this story. She could not understand why they were allowed to grieve, but when she looked sad, she was told to smile, and no one wanted to hear the trouble of someone else did not.

Writers, critics, famous Wit Dorothy Parker first published "Big Blonde" in a popular magazine closely related to her in 1929. This story presents a sad and harsh view of the lives of women in the 1920s. And it is often considered both fun and feminine. "Big Blonde" received a warm and critical reception and was welcomed as the best short story of the year at the famous O'Henry competition in 1959. A year later, it appeared as a series of Parker 's "Life for Life" and has been reprinted by many anthologies and readers. "Big Blonde" is considered Parker's most important literary achievement. Because it is an autobiographical work, it continues to evoke the admiration and respect of the reader This story is admired by the structure and controlled tone of that non-traditional narrative.

Starting with her role as a struggling young artist and a high-profile Algonquin literary body, Dorothy Parker's reputation as a serious writer has been shadowed by her reputation and witness as a celebrity. "Big Blonde" is Parker's greatest literary respect and is the main content of the collection and readers. But even the most famous Paik's story is not as good as some of the humor that she often cites, like "a woman who rarely wears glasses".

The story "Big Blonde" (1929) explains some contradictory psychology over feminist investigation of Dorothy Parker's work. Parker 's sympathy portrait is an evil style, and women are desperately trapped in the feminine temperament of society. But it is equally interesting that the way races are engraved in text is clearly marked as a reflection on sex. Predicting the existence of Africanists in sentences reveals the true source of the power to disturb the story. The dark expression in Parker 's story provides a very clear example of the use of racial differences in American white matter himself. The story of Parker is convincingly demonstrating how sex and ethnicity are related to each other and how blacks build and oppose Caucasian privileges