Donato D’Angelo Bramante

Born in 1444, Donato D'Angelo Bramante died in 1514. Bramante is an architect who introduced a high Renaissance style to architecture (UK). The Renaissance style gradually replaced the Gothic style in the second half of the Middle Ages. It encourages the revival of naturalism as seen in Italian paintings and sculptures in the 15th century and also decorates the classical shapes and pillars and architecture and tunnels like vaults and domes (Western Architecture, 2011) . Bramante was first trained as a painter before doing architecture and was welcomed as the most famous architect of his time (acquired).

Donato Bramante was born in 1444 to a family of poor farmers. Bramante is a famous Italian painter and architect. He moved to Milan in 1474 when Gothic architecture affected his creation. The High Renaissance is the era of Italy and Rome, and the artist was learning how to show the viewpoint and anatomy. Donato D'Angelo Bramante left his achievement in the Renaissance era. He advised other architects to express themselves. Among his works are the Church of Santa Maria Presso, Tempiet Church, Church of Santa Maria delle Grazie, St. Peter's Church (Catt, 2010).

An important figure in Roman architecture of the High Renaissance was Donato Bramante (1444-1514). Urbino born Bramante became the first Milanian architect before heading to Rome. In Rome, Bermante was asked by Ferdinand and Isabella to design Tempiette, a temple symbolizing the exact location of St. Peter's martyrdom. The temple is round, like the early Christian prostitutes, and most of its designs are inspired by ruins of ancient temples.

By 1499, the French Milan occupation forced Bramante to Rome. Under the guidance of Alexander VI, he first designed the S. Maria della Pace monastery (Bramante, Donato, 1994). In 1476, Bramante's first big achievement was Santa Maria Presso Sant Satillo Church. It is commissioned by Duke Sfora and is dedicated to St. Satilas (biography book, nd). But the contribution of Bramante appeared in his converted chorus. Bramante made it look larger than actual by using perspective paintings. Using fantasy art, he showed the choir as if he had raised three bays, but this space actually does not exist. The wall prevented Bramante from building choirs. So, what you can see is only one meter deep (Web Gallery of Art, n.d). "It is also an Italian architect and painter, he is best known for best expressing the high-rise buildings in the Renaissance era.