Documentary Critique

This is a critique of Michael Moore's documentary 'Roger and Me'. This is a movie about the city where there was a huge economy. The people of the working class live the dream of America. Most of the people in this town work at a big GM factory. The factory is the safety of these people in middle class family life. Living in Flint was proceeding smoothly before Roger Smith, CEO of General Motors, decided to shut down the factory. This destroyed the city. Violent crime became the highest in the country, companies went bankrupt, people borrowed.

An example of how to do this can be seen in our documentary. The unit contains criticism of many documentaries so that students can understand the important elements of the documentary. For example, students analyze each part of the documentary (first, middle, transition, finish) and criticize how the important elements of each part are included in the sample. Students will then recommend modeling their work after these samples. In the example below, you can see how students model their movies in subdocumentary style. On the left side there is a screenshot of a student movie and on the right side there are screenshots of subdocumentaries (example 1 and example 2), they imitate their style.

In this intermediate / advanced course, students will explore the practice of documentary photography. This course is composed mainly of individual projects designed by students themselves and can be obtained through weekly group reviews and visual exercises in the classroom. Study history, theoretical and ideological problems, and the complexity of working with people in the circle of their own or outside themselves. This is supplemented by a series of historical and thematic readings, classroom interviews by contemporary photographers, and slide lectures that take into account many ways artists use photography in the documentary's tradition Let's see.

Mustafa Saeed incorporates various media such as documentary photos, graphics, and sounds. Mustafa's work is a combination of poetic symbols and social political criticism to explore war, conflict, and environmental problems. He is based in Hargeisa and participates in various domestic and foreign exhibitions. Destinées is a photo project focusing on work sociology. Can you freely choose the work you want to do in the future? Or are we confronted with social and economic pressures, and is not necessarily the work we want to seek? Through an agreement involving shooting the same person twice in two different environments, the actual working environment and the staging of the work you would like to do when you are young, M'hammed examines the concept of society in Morocco's determinism I will try