The powerful and uneasy Japanese artist Yuichi Ikebata's work conveys the image of the unexpected human collapse in a futuristic way.
In his continued surreal episode "long-term memory fragment", artists and sculptors fill the gap between reality and fiction. With the sense of futurism, the series of Ikebata will study the nature of fragments of our memories. Starting with the shape of human sculpture made of wire, clay, paper, Ikebata adds realistic parts such as skin, eyes, hair, nails digitally. The artist said: "Many parts of our memories are often forgotten or difficult to remember, they will find a fragmentation moment and rebuild it into a surreal image. Some of the collections The part gathered and collected these misplaced memories - a linear story resonating with one another in my picture. "
The Japanese artist Yuichi Ikebata's series "LTM" combines the sense of decline of an unforgettable human and combines the future feeling that our body does not look like them. Ikehata 's sculpture works delicately combines digital and physical components, creating a portrait of a surrealist that is neither realistic nor imaginary. The images that make up the "LTM fragment" begin with lines, paper, clay and carefully carved into the anatomical frame of a person's arms, legs and head. After physical implementation, ikehata digitally adds surreal photographic elements (skin, eyes, hair, nails, etc.) to the twisted metal cable network.
Yuki Ikehata, a Japanese sculptor and photographer, created a cold scene to fill the gap between reality and fiction. In his surreal series "Fragment Long-Term-Term Memory" his aim is to comment on the fragmentary nature of memory and make it physically. "Many parts of our memories are forgotten or difficult to recall, I will regain the fragmented moments and reconstruct them into a surreal image I am convinced of the reality We collect together these misplaced memories and work together to create nonlinear narratives resonating with each other in my picture, "he said
"Realistic and unrealistic world" said Mr. Yuichi Ikehata, "It is very close, so it can not be said that they are almost exactly one," he said. We use reality as key touch for unreality, sometimes with unrealistic key touch reality. The reality is beautiful, sad, interesting, and complete ... fragments cut from reality show a fictitious world. I collect, edit, organize, and capture pieces of my work. This is a pure myth. But this is my real world.