Dislocation and Relocation in Toni Morrison’s Jazz

Immigration has always been at the center of African American history and culture, and the whole American experience. The life of African-Americans in the United States is influenced by forced and free immigration. Forced immigration from Africa - slave trade across the Atlantic - bringing black people to the Americas. The second forced relocation - domestic slave trade - carried them from the Atlantic coast to the inland of South America. Third time move - this time was primarily initiated by African Americans but not always - brought black people from the southern countryside to the northern cities.

Toni Morrison (born in 1931) Unlike many African-American writers, Toni Morrison placed most of the novel in the southern part of the country or in the north part of the city, not in Ohio Lorain. . She teaches and edits at Howard University and Cornell University. In the course of education, Morrison counts her civil rights activist Stockley Cargill and famous literary and cultural critic Houston A. Becker among the students, while editing for Random House Muhammad Ali and Tony Kaide Bambara will cooperate. In her novels there are "blue eyes", "songs of Solomon", "tar baby", "jazz", "sla" and so on. Morrison was the first African-American woman who won the Nobel Prize as one of the most famous African-American female writers in the history of the Americas and received the Nobel Prize in 1993.

Toni Morrison wrote the historic trilogy "Beloved", "Jazz" and "Paradise". Dealing with dear, slavery illness, jazz kept exploring until the 1920s and heaven extended its historical investigation until the 1970s. In this respect, Morrison 's novel contributed greatly to black literature in the process of history. However, in many ways, these authors have limitations in their efforts to fully describe the physical and mental pain of African Americans. Tony Morrison tries to express the silence imposed by publishers and editors of the 18th and 19th centuries. In particular, Williams and Morrison expanded their predecessors' efforts by responding to the creative demands centered on African American body wounds.