Disenchantment and Modernity

For most Western countries, the early 20th century represented the era of social and artistic turmoil and change. Specifically, during the First World War and during the First World War, art culture fundamentally changed to a polar form completely, artists applied new ways, expressiveism, cubism, futurism It represented a new movement. When they are "best", "ready-made", "dada", "surreal" they rely on the same rebellious belief. This rebellion depends on the artist and its interpretation, but in all cases it has the same purpose - inspiring and redefining art, and so-called art.

CC: Your criticism against Benjamin and Adorno points out the difference between the understanding of modernity after the Renaissance and the understanding of modernity since 1848. The arts since 1848 are about daily disillusionment, secularization and sanctity, but fundamentally different from the romantic era from the Renaissance art to the Hegel era. On the other hand, this difference depends on the difference between Kant and Hegel, on the other hand it relies on Marx and should not be understood as a difference in thinking. On the contrary, it is a true historical difference between 1848 and the world after 1848, which requires a completely different attitude towards enlightenment, disillusionment, destruction and recurrence.

The emergence of modernity emphasizing reason, science, bureaucracy, secularism, has led German sociologist Max Weber to call it "disillusionment of the world". When we are influenced by scientific materialism, myths, ceremonies, and sanctity slowly disagree. From a subjective point of view, science may be able to map neuronal connections and electrical activity in the brain in a very accurate way, but this is irrelevant. We have never experienced synapses that convey electrical signals to other neurons. We experience beauty, love, anger, anxiety, awe, despair, laughter and loss. Our ability to create meanings from this spiritual and emotional "electricity" is important for our happiness.

I hate this, but it shows my opinion. Alt-right ideology reveals that their movements are responses to modern morbidity and constitute their rhetoric accordingly. For white Europeans, the way to eliminate enchantments and drift is internal. Culture is inherently moral - a system of intercepted symbols with balanced probation. A community with a broken and iconic system that can not be reintegrated into that subject has no culture. For Freud, the West (especially the United States of America) is characterized by symbolic collapse.