Discuss the theme of the poem "Musee des Beaux Arts" by W. H. Auden.

The poet is a visual artist like that master, whose image uses paint to copy the scene. W. H. Auden admires his old teacher who expressed his poem "Musee des Beaux Arts". The title of this poem is a museum in Brussels, Belgium.

The picture Oden mentioned is "Icarus's fallen landscape painting" by elder Peter Brueghel. This picture reflects the myth of Icarus. Ikaros made wings with wax and then flew away. His father warned him not to approach the sun, otherwise the wing would melt. Icarus enthusiastically went to the water. This picture represents everyone who ignores catastrophic falls. The only indication of the Icarus problem is that his feet are outside the water.

Oden's poetry reflects human understanding in paintings of great artists of the past. The poet pointed out that these artists have special intuitive insight about human reactions to disasters. He referred to three different paintings: a picture depicting the birth of Christ, a crucifixion of Christ, and a picture of the death of Ikaros

The old teachers understand that humans are indifferent to human beings. When there are pictures depicting the pain of Christ and his birth, children and people in the picture do not seem to care about what happens in the rest of the picture. People eat and drink, dogs behave like dogs, children keep on caring, and some big tragedies happen in the middle of the scene.

There is a place to sail down with calm hands. When people are doing bad things, it turned out that others were usually watching another way.

When advertising this theme in poetry, the poet explains the negative emotions some people feel about the sufferings of others. In tragic circumstances, children may not understand "human condition". On the other hand, adults fill their heads in sand, so there is no need to solve the difficulties of others. This indicates an unacceptable cold.

Other people deal with the sorrow of others by saying that they are paying attention to their careers and showing a clear indifference to their colleagues. A person does not have to be a hero, but should show at least some sympathy and help.

In order to raise his theme, Oden noted that the lack of support for others is not a new problem. Since ancient Greek era, humanity was indifferent to Christian era. Disasters, tragedies, and suffering are part of life and it always happens. But life has to keep going

They will never be wrong Pain, old master, how they understand the human condition, how it happens when others eat or open a window, or just walking . (WH Oden, "Museum of Art") uses several interactions and distances between their protagonists and small surrounding characters to illuminate the "human position" of suffering, in some of the Shakespearean plays I discuss the method. This section tells us the idea that from the museum in Oden you can think about the mismatch of human suffering, the many Shakespeare plays.

For several reasons, W. H. Oden may write an article about laziness in his poet "Museum of Art". "Museum of Art" was written in the 1930s, it was the era of depression. As many people are not working at the moment, there is a possibility that laziness and laziness will be combined. Oden may be a little angry with the people who are not working, and then he got his feelings at this job. During this period, Oden visited China from January to July. Oden may have seen how different the two societies are, but how they are more determined to carry out their duties will have major changes in the United States .

After reading "Musee des Beaux Arts" by W. H. Auden and "The Fallen Landscape" by William Carlos William, these two verses proved to have many similarities with them. There are some similarities, but the contents and format of the two verses are significantly different. In my opinion, there is no further difference between the two verses on the same picture. The fallen landscape of the museum and Icarus creates two completely different moods. This poem by William Carlos Williams regarded Ikaros' portrait as a huge portrait and devoted poetry to the whole portrait. However, W. H. Oden's "Museum of Art" deals with "the fall of Ikaros" just like any other portrait hanging in the art gallery.