Discovering the Road with Steinbeck and Kerouac

Jack Kerouac and John Steinbeck expressed a similar view in the story of the road despite having traveled differently over the decade. They focus on the rapidly evolving American social situation while using the theme of liquidity as the "central structure metaphor" (Cresswell). In other words, both authors combine exploration of time and exercise as a modern social approach with the exploration of American society. Kerouac and Steinbeck are very different in age, but their "natural anarchism" or opposition campaign against American consumerism and selfishism in the 1950s and 1960s also unite.

Jason Spangler's "We follow the path not going anywhere: Kerouac's heritage Steinbeck and the Great Depression" is exploring the relationship between On The Road and John Steinbeck's anger grape and modernity. Spangler said, "Although Steinbeck and Kouryak are important, it is clear that lawsuits are taking place from a different subjective standpoint on anti-modernist movements Yake's experimental and improvised novel is a society of Steinbeck We have developed criticism reflecting masterpieces of consciousness. "(Spangler 309)

In a conversation between Jack Kerouac and his friend William S. Burroughs, Kerouac discussed the influence of his French Canadian identity on his writings. The majority of the literary criticisms on Kerouac's "streets" are based on the assumption that he is a typical American American. But this has a problem. Keroroac and his parents were part of the French-speaking Diaspora community that moved out of Quebec between 1880 and 1930. Keroroac is strongly aware of his double identity, including the Quebec and Americans. From the Diaspora community, the process of expressing this dual identity on the road and the process of finding relationships with countries that are not completely my own are summarized in "on the road" text.

In 1964, Paul Capetti found Jack Kerouac's "Street" and questioned his own future direction. When Paul 's mother died suddenly, his friend Duke persuaded him to go to Florida to find Kurujak, who is said to live in St. Petersburg. In this sensitive adult story, the two faced a change in attitudes toward music, politics, ethnic relations, and the Vietnam War. Carden Bosch lives in two worlds. In his real life, he has his friends, family, and school in high school. He believes that he is delusive and wants to kill him and see forced behavior. In another world, Kaden is a crew member of the captain of the pirate and goes deep into the deep sea of ​​the challenger, the deepest groove in the ocean. There, Karden is also a delusion, trying to understand the snoring of his fellow sailors in the face of an unknown danger.