The main job of the director is to find a meaning in the sentence and tell the meaning to the audience. The director's art is fundamentally reinterpreting classical sentences and making it related to the modern audience. Based on the work of the two major theatrical supervisors, two different positions were decided. The director has become a very important part of the theater. This is not always the case. In the early stages of the drama, the director was seen primarily as a manager, where they organized the performance and ignored the development of the drama.
The theater emphasizes real performance and attention to every minute of details produced. Subsequent production into Careful, often dictatorial direction of Stanislavsky became legendary and achieved classical status in the coming years. In addition to being an actor, director, coach, and a successful businessman, Stanislavsky is also a teacher. Stanislavsky is known for developing the Stanislavsky system / method. And that is the theory of behavior. Among them, he explained that the actor must be emotionally identified with their personality while independent of the role it helps to meet the needs of the play. In short, Stanislavsky urges you to reproduce the real emotions in each performance to fully convey the emotions of the character.
Konstantin Stanislavs was born in Moscow, Russia on January 17, 1863. His full name is Konstantin Alekseyev Stanislavski. As a son of a wealthy manufacturer, he gained a lot of economic support for his amateur drama career. Stanislavs genes are known for introducing new drama production methods. His approach has made people who study his system very well. His career will make him the most influential person in the Russian theater industry. Stanislavsky is very dull that he does not like the style of drama that was prevalent at that time in Russia and the world. When he finished his studies, he decided to do something. Stanislavsky was a successful playwright, met a play teacher, Vladimir Nemitovich - Danchenko, and became a friend. Danchenko and Stanislavsky start talking about ways to improve Russian drama