Dipylon krater

Hirschfeld Krater (German) at the National Archeology Museum in Athens, krater example from Dipylon Cemetery

Di Pirron Crate is a vase for the funeral of the Greek terracotta in the geometric era located in the Dipliron gate near the Dipylon gate of the ancient pottery Kerameikos on the northwest side of Athens in the ancient city. Krater is an ancient large Greek vase to mix wine and water, but the large crater in the Dipylon cemetery serves as a tombstone. [1]

The vase representing this larger "Dipylon style" [2] is in the National Archaeological Museum of Athens [3] and the Metropolitan Museum of Art in New York. [Four]

The Metz Dipylon crater is 43 inches tall (110 cm) high and 25.5 inches (65 cm) around. A huge vase is hollow with a hole in the bottom. This indicates that it is not used as a mixing bowl like a normal crater. In the Dipiron Cemetery where it was discovered, the crater showed the tomb of mankind. [5] The decoration occupies the entire vase with a dark light style, divided into registers containing abstract patterns or pattern designs

The zigzag of the key pattern fills the top register, but the image of the funeral is below. The graphical scene represents two of the correct part of the burial. It is a prosthesis and an artificial anus. [6] Assume that the body is placed for mourning and ekphora carries the body to the grave. The third step of burial is the actual burial of the body or its ashes. [6]

There is a woman standing on the prosthetic foot scene of Dipylon Krater of Met. A square body surrounds a square body under the square buried hood. [1] The woman raised his arm to his head and tore his hair as a sign of mourning for the dead. [5] Abstract geometric patterns and animals fill the space between numbers and represent the intensive style features in the later geometric era. [1] The bottom ekphora scene shows a warrior carrying things with a shield in the form of an hourglass with tanks at a funeral parade. [2]

Horses are overlapping each other, there is no obvious difference. A crafted parade including soldiers and horses shows that this family is important for proper burial [7]. This is also reflected in the typical Greek Iliad. The image of this vase is similar to the image of Dipiron / Amphora thanks to the same artist. [7]

One of the earliest burial marks in Greece may be Dipylon Krater in the geometric era. Dipylon Krater is a vase with mourning scenes and parades drawn to commemorate the dead. Then, in ancient times, a serious sign was called ancient Gulus. They painted the dead young people. Kouros will be in a tough position in Egypt with its unique ancient smile. In the early classical era, the tombstone became a symbol of the grave of this age. This tombstone is just a stone monument decorated with the embossing of the dead. In the classical late period, the sign of the burial was also a serious stone monument. Scop's young hunter tombstone shows a strong sentimentalism

In Dipylon Krater, two registers depict the parade scene, ekphora (transport from the body to the cemetery) and prosthetic brace. With the above registry, you can see the dead in the dummy scene. He used his hand to tear his hair around his body and was placed on mourners. On top of the body there is a shroud where the artist paints on top of the body, not on the body, so that the audience can see the whole scene. Ancient Greek sculptures in the geometric era were derived from geometric shapes, but others proved artistic observations of nature. Normally small sculptures made of bronze, terracotta or ivory are usually made at this time. Bronze is made using lost wax technology which may be introduced from Syria and is often used as a devoted product in protected areas like Delphi and Olympia.

In Dipylon Krater's prosthetic foot scene of Met, there is a standing woman with a triangular trunk surrounding the body of the plaque under the square burial hood. The women raised their arms and ripped their hair to condemn the dead. Abstract geometric patterns and animals fill the space between numbers and the intricate style features of the later geometric era. The lower ekphora scene shows a state of carrying a body with a shield shaped like a tank and an hourglass at the funeral parade.