Digital and Analog Photography

If you take beautiful photos, this is a wonderful feeling. When you compare photos and paintings, the imagination of drawing 70 pictures in the morning and afternoon would be terrible. The wall space is very narrow. Images hung there can be easily overlapped with each other. It is best to take qualitative images of 20 trips, and I can sit down and take time for searching and discovering. The entire plate making process will be crafts, crafts. It can be created in a small dark bathroom or in a darkroom with professional equipment where each photo gains its own spirit.

A025 | CP | Photo 1 Introduction of photograph is aimed at seamless introduction of basic of digital photograph and analog photograph. This introductory course emphasizes the interdependence of the latest analog technology and digital technology. This includes digital capture, film and digital processing, printing using digital technology and amplifiers to create photos. Learn how to operate digital SLR cameras and film single lens reflex cameras, editing methods with Camera Raw and Photoshop, film development methods, and creating fine art prints in wet and dry laboratories. Students will introduce the basics of design concepts including lines, shapes, colors, composition, values ​​and shapes. Students write research papers on photographs and master photographs and create artist statements. Grade: 9, 10, 11, 12

Digital photographs are physical predators of photographs. Digital photos came quietly in the second half of the 20th century, carefully replaced analog counterparts, and always reaffirmed the same promise. Over the years, digital photographs have maintained their expectations, completely amend their models, adopt their social functions, and have retained Roland Bart's "Noema" (1). Like a replicator in a movie, digital photos do not want to change with photos, and may continue to appear in people who refuse to pay attention to an incredible dialogue like the protagonist of the movie Hmm. In reality, we think that we are not stopping development since we have been faced with the natural evolution of tools, or we are accelerating the development of media technology - the development of photographic technology - There is a tendency.

While many photographers were still talking about the transition of photos from analog to digital and both positive and negative, the world of photography technology barely noticed their protests and ongoing research and development. As a result, we discovered ourselves today - in fact, we stayed for a while - in the era of computing pictures. In 2014, the World Press Photo Foundation - Witness Publisher - asked for research on "Image Integrity" to evaluate worldwide contemporary industry standards. The purpose of this report is to create some understanding of the ethics of digital images, especially the problems of post-production work caused by gathering photographic industry attention to the reliability of news and documentary images. Almost four years later, things have changed, understanding the change is what I want and needs to be settled here.