Diego Velázquez – Las Meninas (1656-57)

Introduction Las Meninas is the largest piece of Velazquez with a length of 21 meters and a height of 81 meters (Umberger 96). Velazquez masterpiece caused a sharp criticism, including those who viewed the work as a perfect work, features of distinctive patterns in his work of art, and those who could not fully explain its contents (Ancell 159-160). ; Snyder 542+; Steinberg) 48; Bongiorni 88) Despite this difference, the masterpiece of Velázquez can spend the day in the royal life while realizing his artistic ideals.

In 1957, Pablo Picasso analyzed and explored his interpretation of the influential picture "Las Meninas" in 1656 of Diego Velázquez. As part of his series of explorations, Picasso wants to preserve the authenticity of the experience Velázquez created for the audience while maintaining his style. He is very devoted to the analysis of the masterpiece of Velázquez of the Spanish Golden Age and made 57 explores before generating his last 6 feet by 9 feet masterpiece, now known as Picasso's Las Meninas Edition . In Barcelona

Painting writers Las Meninas (1656) and Diego Velázquez (1599-1660) were in the court of Philip IV, so they were at the center of the core power structure of the early modern European primitive nation. Las Meninas has always been considered - whether in the Velázquez era or our era - his masterpiece. My aim in this article is to discuss paintings and their formation by exploring power relationships rather than perspective studies. What I am interested in this article is to analyze Las Meninas from the viewpoint of power relationship to alternatively read literature based only on the technical aspects of painting. Las Meninas There are lots of seriousness in the paintings of seal, but there is a problem We must admit that the picture is complicated and complicated.

In Spain, Diego Velázquez depicts Las Meninas (1656). This is one of the portraits of the most famous and mysterious group in history. It is a memorial of the Spanish royal artists and children, apparently these nanny are cousins ​​of the royal family and are seen only as reflections in the mirror. As a genre painter, Velázquez first stood up as a court painter of Philip IV and worked extensively in portrait art, especially in expanding the complexity of collective portraits. Rococo artists are particularly interested in rich and complex decorations, they are experts in sophisticated portraits. Their attention to details of clothing and texture enhances the effectiveness of portraits as evidence of secular wealth and the famous portrait of François Boucher of Madam Pompadour is wearing a flowing silk dress.