DIE FLEDERMAUS

Die Fledermaus is an operetta on a flat friend. Dr. Falke's opponent retaliated against the old friend. After the spurious ball, the hero's Gabriel came to the city center with his close friend Dr. Falk, who got him drunk, and made him stunned by a park bench. He wears clothes as a bat and he is lying on his pants. He woke up and found a crowd of people laughing at him. This began a plot of bats revenge. Dr. Falk then made a good preparation and skillfully developed a plan to embarrass Gabriel.

Three small operas are very popular and can now be used for performances. One of the most outstanding, Die Fledermaus (1874; The Bat), is probably one of the best operas ever and is a masterpiece of that kind. Lovely du and du Wertz are made up of excerpts from this work. His other two most successful small operas were the Venice night (1883), from which he gained the music of the Gypsy Baron (1885) from the lagoon music and treasure waltz. Strauss wrote more than 150 waltzes, 100 polca, 74 quarter dances, mazurka (Polish folk dance), parade, French dance (French dance). His music combines quite a few melodic inventions, great energy and glow, elegance and polish, and sometimes even incredibly sophisticated and even sexy. He made a waltz and lifted it from the public beer hall and restaurant to a permanent place in the aristocratic (and high social) social ballroom.

In the late nineteenth century, the Austrian composer Johann Strauss II is the viewer of the French opera produced by Jacquette Offenbach, the most famous German opera among them is still Die Fledermaus. Please run it regularly. Nonetheless, Strauss II's novel did not mimic the style of Offenbach, but had a distinctive Viennese flavor that Strauss II was consolidated as the most famous lyric composer in history. One status

German romantic opera finally gave up the style of French entertainment, but the genre of Operetta was beautified with works of Johann Strauss of Vienna. His popular opera, especially Die Fledermaus (The Bat), is all come from dance. Like his father, formerly John Strauss, he was the master of the waltz and the royal court in Europe who starred in Vienna and dominated the Royal French court as a form of dance for his ancestor Minuet