Die Brucke (The Bridge) by Bernhard Wicki

Bernhard Wicki's 1959 DieBrücke (The Bridge) is often considered an important antiwar movie, but its importance is more detailed and multifaceted. That perception of war is more ambiguous than what the boring delegates claim. This is a few years after the re-establishment of troops in the Federal Republic of Germany, entry into the NATO alliance in 1955, and resumption of the military draft of the youth in 1956. Therefore, this film is not only German testimony of the past, but also current German testimony. .

Die Brucke (The Bridge) by Erich Heckel, one of the artists who contributed to sports in this a short life, is an art movement gathered before the First World War. It was founded by four students from the faculty of architecture in Dresden. Together with Die Bruue Reiter (The Blue Rider), Die Brucke represented German expressionism and was banned by Nazis as a "collapsed" art later. This is a nationwide equivalent of Fauvism in France, they want to show more modern and more free art form.

Die Brucke is a group established by four students specializing in architecture. These artists do not have a solid formal education or art school that expects some courses. They worked closely together and started a philosophical quest to link Bohemian lifestyle with "immediate disaster consciousness". They are the driving force of this movement. Sexual tension is a common theme of these works such as self-portrait of Ernst Ludwig Kitcher's model and Christ's princess by Georges Ruart. Both simplify the shape and use a primitive and simple color to create a very heavy and dense atmosphere around the piece.

It was during the early days of Nazi Germany that the depraved art or "enchanting art" made Die Brucke a mock art movement. Among the artists forbidden to participate in the event were Mark · Chagall, Max Ernst, and Wassily Kandinsky. Both were special members of the German expressionist movement of those days. The main reason for this prohibition is completely one aspect, that is, primitiveism. In the case of Mark · Chagall, his inspiration comes from a kind of spirituality involved in the process of art creation, and the original symbolism is the spiritual connection he needs to express himself, I gave it to you.