Development of the Proscenium Arch

Where is the stage stage on stage? After all, it occurred during the Renaissance when an attempt to create reality or realistic fantasies appeared. The combination of design and architecture fundamentally changed the relationship between the stage and the auditorium, and the stage has developed remarkably using the example of ancient Rome. At this point the stage was moved indoors and the technology used to create the evolutionary set and evolving landscape evolution in the Renaissance period was discovered.

Front: Frame or arch separating the stage and auditorium. Opening the stage is particularly important for 19th century real-life playwright, a fictitious fourth wall where the photo frame or spectators experience the illusion of the character's spy. Realism: dramatically expressing daily life and people by paying close attention to the character's motivation, clothes, scenes, and details of the dialogue. From this era (from 1820 to 1920), the drama is seeking the truth, looking for ordinary beauty, and focusing on the conditions of the working class. Henrik Ibsen is a model of this movement and has influenced other people like George Bernard Shaw and Anton Chekhov.

From the 17th century to the early 20th century, few people dreamed of making a theater other than the traditional stage style. This style consists of a horseshoe shaped or rounded auditorium, facing several layers of the stage delimited by the arch - the stage that supports the curtain. Behind the scenes, dynamics behind the scenes will help you quickly change the landscape of fantasy. This type of theater was developed for the Italian opera in the 17th century. From the introduction of the theater, all theme play production tends to take advantage of the audience's pleasure in the realism of toy houses.

As long as I have chosen a naturalistic scene so far, it is only suitable for choosing the stage reflecting this naturalism. Proscenium arched theater is my first choice because it seems that every action is a frame and the audience seems to be learning to see. In order to show the passage of time the curtain is necessary (because the curtain that falls at the end of the third curtain is to present another scene in the same room), and the stage arch is set as one of its specifications I'm waiting. Another advantage of choosing the stage theater is that the play requires the fourth wall technology Stanislavski (and others) used and developed in his book "The Actor Preparation". This is an indirect form of communication, and when a performer acts as if the setting world is a private closed environment, there seems to be no audience.