Developing and Implementing the Double and Triple Tongue Techniques Through Study of J.J. Johnson and Curtis Fuller: A Guide for Jazz Trombonists

The aim of this paper is to provide a way that students and professional jazz trron can follow to develop and implement Doubletang and Sriathan techniques with their performances. Trombone players J. J. Johnson and Curtis Fuller were chosen as the main examples of these techniques because of their high tempo phrases and high phrase proficiency. Jazz trombone's transparent style is very individual. This method becomes a foothold of the jazz trumpeter, begins to explore the joints of multiple tongues, and finally finds its own expression. The appendix contains three transcripts for each performer, illustrating multiple verbs and fast phrases of tempo. Each solo posting includes a syllable join to help you explore code changes above the written pitch, and one of many possible ways to run the channel. The appendix also includes interviews with double and triple exercises, proportional exercises, bebop songs with alternate slide positions, syllables, and jazz trumpeter Steve Turre, Andre Hayward and Ron Westray. technology

Nero, Javier J., "Development and execution of double and triple tongue techniques by studying J. J. Johnson and Curtis Fuller (2017): Jazz Long Hand Guide. Open Access to Papers 1871

As an aspiring jazz trombone, they share a common dialect (and the people in front of us), and we all like to hear like JJ Johnson. J.J. There are few people including vocabulary. Their personal idiom is better than the trombone player Steve Davis. Davis called Charlie Parker's J.J. Johnson who boasts the length of jazz and heard clearly that "putting the birds on top" by using John's practice in John's own acting. These ways can be simplified to simple expressions. With these formulas, you can apply wonderful JJ practices. Johnson enters your own game. The result may shock you

The aim of this paper is to provide a way that students and professional jazz trron can follow to develop and implement Doubletang and Sriathan techniques with their performances. Trombone players J. J. Johnson and Curtis Fuller were chosen as the main examples of these techniques because of their high tempo phrases and high phrase proficiency. Jazz trombone's transparent style is very individual. This method becomes a foothold of the jazz trumpeter, begins to explore the joints of multiple tongues, and finally finds its own expression. The appendix contains three transcripts for each performer, illustrating multiple verbs and fast phrases of tempo. Each solo posting includes a syllable joint to aid in searching for code changes above the written pitch and one of many possible ways to run the channel

I learned J. J. Johnson and Curtis Fuller and developed and implemented dual and triple tan techniques. Jazz Long Hand Guide

Curtis Fuller is a very fluent tromboneist and thanks to its perfect time and ambitious solo he became the center of the hardcoat and spent the orphanage for 10 years. His interest in jazz was annoyed when his nuns at the orphanage took him to meet the band of Illinois Jack when he was a child. Johnson Trombone. He got instruments at once. The era of military bands played with Cannonball Adderley helped him grow up as a pro with playing skills. After working with Kenny Burrell and Youssef Lattef in Detroit, he moved to New York where he debuted as a transition leader in 1955. He also became famous for Blue Note, worked with Clifford Jordan, John Coltrane (in a classic blue train), and his own The Opener (with Hank Mobley).