Defining the Boundaries of Magical Realism in The Porcelain Doll

Since the birth of a new art form in the early twentieth century, the definition of magical realism in "porcelain doll" scholars has discussed characteristics of the definition of magical realism. Numerous puzzles have surrounded the words from art critic Franz Roh, who created the word magic realism, to contemporary famous scholars such as Amaryll Chanady. In order to narrow the boundaries that make up magical realism you can examine the short story marked as magical realism. It is because most scholars follow the basic characteristics that can be attributed to magical realism.

It summarizes the difficulties that Mexican critic Luis Lyle (Lewis Lille) defines by writing magic realism: "If you can explain it, it is not magical realism." He writes "by writing , I did not consider the concept of magic realism I advocated my definition, all writers recognized and revealed to the reality people. For me, magical realism is a character in the novel world The attitude to treat is 'or nature. Real and Günter was quoted by Arturo Utsira - Point of view of Pierre Terry, he will become' The human being is a reality of lack of poetic prediction or another poetic It is described as a mystical reality of facts surrounded by things like denial.The name of the thing calls magical realism "Pietri is criticizing a more lyrical and exciting language with a strict proportion to always open and maintain its definition in making this literary tendency term attention Resistance, for example, 1948 declaration

Since the birth of a new art form in the early twentieth century, the definition of magical realism in "porcelain doll" scholars has discussed characteristics of the definition of magical realism. Numerous puzzles have surrounded the words from art critic Franz Roh, who created the word magic realism, to contemporary famous scholars such as Amaryll Chanady. In order to narrow the boundaries that make up magical realism you can examine the short story marked as magical realism. It is because most scholars follow the basic characteristics that can be attributed to magical realism.

In addition to gender diversity, the basic starting point of magical realism is more diverse and complex than the original Hispanic theory defined in this paper. In the first part of this article, we read a broader definition. "What happens when a very detailed and realistic environment is attracted to something that is too strange ..." This is "very strange" untrusted criteria related to European aesthetics - it is. Work by Woolf, Kafka, Gogol. Later on we read another definition of Hispanic origin theory and seemingly precedent: "Magical realism is the continuation of the tradition of romantic realism of Spanish language and literature." This "continuation" It is a wider definition and standard of magical realism. Subset Magic realism was born in Germany just like Latin American countries. Both can claim their more specific aesthetics, but the wider terminology of magical realism is determined to be Hispanic, it is only the theory that can not be supported by the citation of this article .