The death of a salesman is a tragedy of Miller's tragedy, ordinary people and ordinary people in that tragedy, Arthur Miller discussed the definition and criteria of tragedy as they apply to ordinary people. Miller's standards and standards can be used to evaluate his eternal work "death of a salesman". The primary major criteria of the proposed tragedy are: "Regardless of background, nobility's identity, class, pretend, real social division, everyone can naturally sympathize with the tragedy.
Arthur Miller 's salesman' s death was a modern tragedy In the 4th century BC Aristotle described his account of the drama 's tragedy. The playwright began to deviate from the basic principle of Aristotle's tragedy, and it was only during the modern age that in the process it began to make dramas that the public was easy to recognize and therefore became non-traditional. Still, after the investigation ... William Shakespeare skillfully made Othello, the Venezia's Moorish, as a tragedy of Aristotle. The protagonist of the play, Othello, is a perfect example of a tragic hero. Shakespeare was influenced by the concept of Aristotle's tragic hero and created Othello using Aristotle's principle. William Shakespeare tried to create a tragedy of Aristotle with a tragic hero and successfully incorporated every line, faith and fear movements in the Othello of the Moors of Venice. Power
In Arthur Miller's 1949 article "Tragedy and Ordinary People", Miller says: "In this era, almost no tragedy was written." Foreword to the death of a salesman. There was only one kind of tragedy according to the definition of Aristotle before the mirror 'death of salesman'. For Aristotle, the tragedy drama must be developed around the king, the gods, or the high-ranking people. In these classic tragedies words and proper roles must be promoted