Miller's "Salesman's Death" and Ibsen's "Dolls House", "Salesman's Death" and "Dole House" are two different century scripts. Above all, women have places in their families and society in these plays. Linda and Nora, the protagonists of the drama, seem to have in common in many respects, but Nora seems to be more modern and free than ironic Linda, so it is very different. Indeed, Ibsen wrote his play seventy years ago before Miller.
Arthur Miller's classic American drama "Death of Salesman" and Henrik Ibsen's classic drama "Dolls House" has disclosed disabled families and behaviors. In these plays, innocence, guilt, truth subjects are all thought through deceptive eyes. In both dramas, most of the people around us, not just those who are right away, will teach us to choose to fool and deceive. With the death of a salesman, my father handed out a fraud to a boy of his next generation. Dollhouse shows fraud in a completely different way.
Both Arthur Miller's "Death of the Salesman" and Henrik Ibsen's "Doll's House" central figure are both captured by social expectations and economic reality. Miller 's protagonist, Willy Roman, tried to ignore his life' s problems and tried to deny the reality around him with a bad result. Meanwhile, the main character of Ibrahim Norah Helma will accept her difficulties at the end of the script and learn that she has the ability to change it by reaching her life and agreement.
In Ibsen's drama "Doll House", Ibsen depicts a heroine, Norah Harmer, who dares to despise her husband as a wife and mother to pursue her personality, or to give up her "duty" To do. "Dolls House" challenged the patriarchal view that most Norwegian people thought it was true during the decade and thought that the woman's place was home. Like many women, Nora felt trapped by her father and prevented social rules from recognizing their voices by the time she gets the same feeling of her husband.