Dealing with the Subject of Change in the Anthology

The authors of the three stories to deal with the changing theme of choice are similar in many ways. However, since they all have different meanings, they differ slightly, but eventually the events of each story's characters have changed. These three stories are called "your shoes" by novelist and poet Michelle Roberts, a novelist Silvia Plus written by poet and "Superman and Paula Brown's new snow suits" It is.

The authors of the three stories to deal with the changing theme of choice are similar in many ways. However, since they all have different meanings, they differ slightly, but eventually the events of each story's characters have changed. - Love is hurting Today 's divorce rate is at the highest level ever, and people say that marriage has lost value. It is said that it is difficult to find a happy relationship. Edgar Lee Masters seems to have the same view on the romantic relationship of his era. The master conveyed these emotions through some of his work by the spoon river anthology.

Recently he began collaborative editing of a series of science fiction and fantasy collections. It helped to simplify the process, but his work is equally impressive. Most of his books are nonfiction, covering physics, geography, myths, history, and the Bible, Shakespeare, and "sensual and dirty old men" (Walker, 1971) and "Lecherous Limericks" (Walker, 1975) doing. ) He is a citizen of the United States now, Isaac Asimov was born in Russia. He was born in the village of Petrovic near Smolensk on January 2, 1920. The exact date is not recorded, but at least this is the day he celebrated. As Russia finally abolished the old Julian calendar and adopted the Gregory era, people are further confused. This is all that Isaac Asimov is fascinated by the pleasure of recording dates and facts.

The second reason for the end of the anthology episode is the change of the audience. People who can buy TV in the early 1950s can also buy tickets for theaters. For these audiences, collections are a popular addition to their cultural preferences. However, by 1956, 71% of American families had television because work and middle class families gradually became able to buy television and the price of television declined. In this new and expanded market, the choice of episodes is not common, the choice of episodes is costly to produce - twice the cost of most other TV types in the 1950s. Every week means a completely new story, new writers, casts, and expensive collections. Sponsors and networks came to recognize that using the same cast and settings every week is cheaper. It is also easier to raise the audience's royalty through a continuous program.