Dance and Its Effects on the Human Body

Dance moves the body in a way that involves the rhythm and style of the music being played or being played: a beautiful form of art that is completely reflected by statues that look perfect from all over the world. This sport is not something that anyone can accomplish. As an entertainment activity, dancing brings positive and negative effects to the human body and mind. I have heard that dancers are not athletes throughout their lifetime, but this has been proved wrong.

Dance is good for both body and mind in many ways. Dance behavior is also considered entertainment activity, but it also has advantages of both short-term and long-term effects. Physical and psychological effects, influence on youth, importance of exercise therapy all play an important role in deciding that a person can dance in every aspect of human life. Just like other exercise and sports, dancing keeps your body active. ... BSMT-1 B "Philippine folk dance" Tinikling Tinikling is a former Leyte Spanish dance, including two slides that are beaten on the ground and slide down to adjust with one or more dancers crossing the dancing pole . Maglalatik Maglalatik is a dance of indigenous people of Laguna Bijan, all men dancers dancers hit with another coconut shell. of

Margolos believes that "expression" in dance is understood as an aesthetic feature seen in the human body. He stated that the body of the dancer is "contrary to Goodman's dance theory" that it has "natural expressive power" and can not be reduced to any figurative structure that can be incorporated into the score in principle, in principle. Sirridge and Armelagos (1977) argues that dancers 'contribution to the expression of dance metaphors lies not in the natural representation of the body but in the use of dancers' style. Here, "style" is defined as consisting of a dancer's "spatial vocabulary". This can be thought of as a "sports list or motion sequence" necessary to materialize the metaphor of dance. 1977, 18). (For more on this discussion, see Beauquel 2013. For other theories on gestural symbolic and symbolic dance communication see Noland 2009.)