Dalit Voices : A Comparative Study of Anand and Wright Novels

This paper aims to evaluate fictitious publications of Marc Rajandand and Richard Wright from the viewpoint of social justice and liberation. While Wright is using black people as a logical and artistic temperament of social and psychological mankind, Annand is characterized by the strongest desire to explore the leftover population of India. Both novelists believe in human equality and mutual respect and their humanism is reflected in the reality of oppressed masses suffering from various obstacles, discrimination and alienation.

Fortunately, I read Mulk Raj Anand 's novel Untouchable and Thakazhy Sivasankara Pillai' s novel Thottiyude Makan. I noticed that there is some similarity between the two works. Based on this idea, I read some novels by Mulk Raj Anand and Thakazhy Sivasankara Pillai. This is interested in my study of this topic. Mulk Raj Anand and Thakazhy Sivasankara Pillali are two famous novelists who deeply understand the tragic and tragic life of Indian social dogs. So these two novelists have always introduced Ali in Indian literature. Through the work of these authors, Indian Freedom Struggle and Nationalism Movement achieved good results.

Mulk Raj Anand's first novel "Untouchable" (1935) is based on the general public. Hindi language film Achhut Kannya (Untouchable Maiden, 1936) with Ashok Kumar and Devika Rani is an early reformist film. Arundhati Roy's first novel, The Little of Things (1997), is also developing around the caste system of various religions. A lawyer named Sabu Thomas has filed a petition requiring that this book be published without a final chapter. This provides a graphical depiction of sexual behavior between members of different castes. Thomas argued that the so-called obscenity of the previous chapter seriously hurt Syrian Christian community, which is the basis of the novel.

In the novel's chemistry, the representatives of the Dalit literature are mainly concentrated in the Dalits such as blacks, lesbians, homosexuals and other backwards classes. Here, Tahkazhi represents the Dalit living in the coastal area, in particular they are known as mucus. Mucuvas are the people who live near the sea. The sea is their goddess. Because their lives depend on the ocean, the sea plays an important role. Karuthanna as mucus is quite different from other actor's women. When analyzing the problems of the Dalit society, they are victims of social order. This new chemical reaction is representative of Dalit's problem. Every right that our society thinks that she is not properly educated and caste is an important factor in measuring human value. "Cartama" here is Dalit, and she is beautiful. Beauty is her only quality, lack of familiarity in the mainstream of society, and seriously affecting her entire life.