Cultural Healing in Leslie Marmon Silko's Ceremony

Cultural treatment at the ceremony Leslie Marmon Silko is an American from New Mexico state and a member of the Laguna tribe. She was awarded the MacArthur 's Genius Prize and is considered one of the 135 most important female writers. Her home town named her a cultural treasure living. (Jaskoski, 1) Her famous novel "Ceremony" tells a mixed blood named Tayo, desperately needing this process when he comes back from the fear of World War II through its realization and healing process It was made. This is the process that allows him to return to his cultural history. At the end of the Second World War in 1945, Tayo returned home. I feel that he is alienated from his hometown, I do not want to live almost.

As an important person in the Native American Renaissance, Leslie Marmon Silco combines stories and rituals to form a story of cultural resistance and identity. After returning home from the Second World War, Tayo, the hero of the ceremony, experienced post-traumatic stress disorder just because his mixed identity was more complicated. Throughout his life Tayo's treatment tour, Silko imitates Native American ceremonies and regains the power of indigenous identities.

Author: Janet Thalmann, Ruth Benedict's Tribal Cultural Ethnography, Cultural Patterns and Leslie Marmon · West ERKE Novel "Ceremony" has three themes. Both clarify the matrix, the importance of harmony and balance and change, and the ritual of Pueblo Indians. It is worth noting that Benedict's book was written from a third-party view, whereas Silned provides readers with a direct view on this lifestyle (grew up with Laguna Pueblo Reservation). Because

Acclaimed novelist, poet and essayist Leslie Mamon Cirko are known for empathic treatment of Native American themes. Born in 1948 by photographer Lee Marmon and his wife Mary Virginia Leslie, Marmon Silko is a tradition of Laguna Pueblo, Mexico and American American. Her mixed ancestors influenced her work in myriad ways. Marmon Circo grew up at the edge of Laguna Pueblo's book, and the earliest experience was positioned among cultures. In an interview with Alan Velie, "I am a mongrel dog, but I know Laguna," Mormon Silko deepens her relationship with her tribe through her book. And the tradition of storytelling. In 1974, she announced a collection of poetry called Laguna Woman. Marmon Silko also acknowledges the impact of family stories on her approach and vision. She began in the late 1960s and is considered to be a major contributor to the American literature and art renaissance.