Cuban Film Industry

Cuban film industry Bennito Mussolini founded Cinecitta, the most important movie studio in Europe, in 1938. Stalin is making personal predictions. Juan Peron and Mao Zedong shared these attractions. Both are actresses. Francisco Franco's fantasies are said to be filmmakers. The leaders of the Cuban revolution followed their footsteps. In 1979, he established the Havana International Film Festival. In addition, a school for young people in Cuba was held to follow the dominance of famous filmmakers on the screen.

Ironically, the theme of many Cuban films is undeveloped, which is one of the biggest problems the Cuban movie industry faces because domestic transactions are limited. ICAIC tried to overcome this by making the best quality movie. Since the owner does not think that these movies are popular, it is also difficult for ICAIC to make ICAIC screen the first movie. A few years later, this concept changed. ICAIC brings a portable cinema through ships, scorpions and trucks to counteract the fact that people living in the countryside of Cuba can not get movies.

In 1963, the Cuban Film and Art Industry Association and Moss Film began producing a propaganda film about the Cuban revolution. The Cuban government established Cuba Film and Art Industry Association a few months after Castro took office Moscow Film Company is a division of the Soviet National Film Committee. Soybean Cuba aims to oppose the modesty and perseverance of Cuban farmers, working class, and student activists, and oppose the declining and excessive acts of American capitalism. The government agency that produced the movie wishes that it will be a masterpiece of the film festival to overcome the power of Cuba Sergei Einstein 's 1925 "Warship Battleship" overcome.

Since 1959, Cuba Film Association or the Cuban Art and Industry Association is in charge of all movie photography events held in Cuba. On the other hand, in May 2013, it became possible to produce movies without involvement of ICAIC. In the past few years, state / agency production does not coexist with institutional production. Many organizations produce international high quality movies and distribute them. However, these organizations are legally disadvantageous. It is acceptable, but not legally permitted. Therefore, without ICAIC intervention, we can not shoot in public places, we can not establish a legal relationship with other companies or institutions, nor distribute domestically for their movies etc.