The dying collapse of Arthur Miller's death is the best summary of Arthur Miller's salesman's death, the death of a salesman. This death is not necessarily the physical end of human life but the collapse of the dream's hero, Willie Roman's dream. The three main parts of Willy's world are his work, his family, and the image he sees in other parts of the world. Although these parts are intertwined and interrelated, they are preferably separated and analyzed separately.
Willy Lohmann's demonstration of Willy Lohmann in the death of a salesman was seen as a tragic hero and an unconscious victim in "death of a salesman". "The death of a salesman" is very based on American dreams, whether we are slaves of this dream or conquerors. This is an idea and the playwright Arthur Miller is very enthusiastic through his interactions with Willie himself and through his interaction with various characters in the drama. Salesman Linda's death, Arthur Miller's role "salesman's death" is a selfish housewife. She pretended to take care of her husband but in fact he likes to commit suicide so she can live a more relaxing life. Linda died because her husband called for abuse in Willie. For example, in a family conversation of the first act, Linda tried to say in a few words.
The character of Linda Lohmann's character, Linda, Arthur Miller salesman is the core of Arthur Miller's drama "The Death of a Salesman" in Los Angeles. She is smart, passionate and considerate. She knows her husband's faults and her son's character. She likes all candid candidates. She is in sharp contrast to sexless sex which is symbolized by women and prostitutes. They are active in the outside world as part of the nonpersonal power of corruption. Happiness is equal to his indiscriminate ... According to the rules of Aristotle, how much can Willy Roman regard as a tragic hero? Arthur Miller released his play "The Death of a Salesman" in the form of an ancient tragedy. Aristotle defined his view of the "perfect" tragedy in his text "poet" (350 BC). He thinks that hero must get rid of the high social position for the "fatal flaw" in the character; the fall of the hero creates the determination of the drama and is regarded as justice; last , Aristotle