Crossing the bridge

Conclusion 1. Camera reality As stated by Ozturk (2008: 21), film art creates windows open to the world and modern people to solve social problems. A movie is an art that can reproduce facts by expanding time and place. For this reason, movies focusing on the city do not reveal the city itself, but reveal its performance and interpretation. Thus, cameras can form and distort urban areas, images and experiences like concave mirrors or convex mirrors.

A year ago, I was crossing the Westminster bridge in London. This bridge is growing up in Diet, so it is a funnel for tourists. From the end of the bridge, about a dozen people are playing 3 cards, or a cup containing balls. As usual, if you bet a couple of times and get 50 pounds to regain hundreds of pounds, you will lose it by dropping 20 pounds and you will lose another 20 pounds. We have seen it before, but I have never seen it on an industrial scale. For tourists who are liable to be deceived, this is like pulling the net. Generally, there are around 10 to 15 people who are doing the trick, and they should crouch down and watch over 30 people from 20 to 30 people. So it is very obvious what is going on, but still tourists are casting money on the sidewalk.

Crossing a bridge may be a serious cause of a panic attack. There is no metaphor, a literal bridge here. It does not need to be high or dangerous. Walking the bridge, you can fall into a white knuckle, crawl, chest tightening, fit. It's fucking bad. Sometimes you need to reach the other side of the bridge. However, a great thing happened last night. I am dreaming, I slipped on a frozen bridge in the dark. It is very pleasant. Okay, that's good. I cruised directly. Then, my deductive reasoning turned back to me and I did it again. There is no fear or panic, and it is not certain that I will die. It feels good. Fantastic, my dream is to stop by the bar across the bridge and make some loops on the dance floor.