Criticism on The Tempest

Introduction Arashi is a romance, often interpreted as a Shakespearean plays. It counts one of the most original plays of Shakespeare. Critical debate about "Arashi" has been concentrated for centuries. It is him who embodies the debate about colonialism, cultural confrontation, heroic humanity in theater: Prospero, Miranda, Ferdinand and others. The origin of the central zone was not clearly specified. Arashi was in an unknown age on an unnamed island, and some critics believe that the island will evoke the theme of European colonialism in the new world.

British and American critics often regarded "Arashi" as a fable about artistic creation before the colonial critique emerged. As this was once thought to be the last play of Shakespeare, Prospero was defined as a playwright writer, shaping his main action through his magic. Starting with an artificial storm at the opening ceremony, Prospero rewards and punishes the protagonist according to his master plan, and to his predecessor Duke of Naples and his son and successor Ferdinand his daughter Miranda To marry. This plan is considered to be his revenge on the forced expulsion of his own kingdom. In the process leading to this ideal of the alliance between Naples and Milan, Prospero hindered the progress of Calvin, the origin of the island where he and Miranda were exiled. In addition, the magical power of Prospero not only ensures the enslavement of Kariban but also requires the enslavement of the elves named Ariel to put his magical design into practice.

William Shakespeare's last drama, Tempest, is symbolic. It has been interpreted in various ways including critics and readers. There are strange explanations about Prospero, Caliban, Ariel, Miranda and several other roles. It is called complicated drama art. A critic believes that Prospero is a talented person, a perfect artist lacking secular work in a practical sense. He then reached the height of his supernatural power. For him, Miranda represents his early art. Calvin represents the low passion and appetite of mankind, and Prospero will succumb to his service, and he tries to rise to a high level in vain. Cariban tried to rape the Miranda means that human beings are about to violate the low level passion of artistic purity. Ariel represents a genius of imaginative poetry released from long-term slavery to the effect of evil. In this case, evil witch Sycorax

Prospero is in the storm. According to Simmons Loveday, "The role of Prospero as a mentor and father in Tempest was bridged by the artist GP by a collector (15), but some critics said the novel is an anti-romantic novel Barry Olshen (26) and Fanon's Peter Conradi believe that the final goal of the Hegelian system is mutual recognition, so in his black skin, white mask, the mutual relations between black and white "Blacks became former slaves," Fanon wrote at the beginning of the book "We turn to Hegel" (50).