Criticism of Once upon a Time in the West Directed by Sergio Leone

Sergio Leone's "Criticism of the West's Western Age" was evil and revenge about the Western West, the Western era that Sergio Leone ordered in the past. (With hint of mystery) story. As the story evolves, the introduction of the character is important for understanding the plot. As the two stories progress at the same time, the maturity of each character provides the audience with reasons for the specific event. However, the analysis of the four characteristics (physical, social, psychological, and ethical) of the two main characters will give the audience a better understanding of subconscious information.

Sergio Donati is best known for collaborating with Sergio Leon in the movie "Huang Feihong", "American Explosives", "Huang Feihong" in the west. Indeed, he is always interviewed about Leon, not about himself. When I convinced him that I am more interested in my career, he got so relaxed. Donati enjoys a variety of careers, including creating Hollywood for Schwarzeneger's Raw Raw and Orca. We talked about his career, and the year with Leone inevitably appeared. He recalled his career and friendship with Leone and Morricone and spread anecdotes about visiting various Western pasta movies.

Recent scholarships have supported West Huang Feihong as Sergio Leon's highest honor, but good, bad, and ugly for those who can not separate Leone's work from its most famous role The last pasta It has all the symbolic elements: dusty, desolate landscape, unethical character like Tuco (Eli Wallach), only beneficial, power showdown on a circular stage, Colosseum Suggested a gladiator of. The flute's theme provided by the invincible score, Ennio Morricone is immediately recognizable; like Clint Eastwood, an innocent man

With this in mind, take a look at the framework of Western Huang Feihong (2.39: 1) (Sergio Leone, 1968). Instead of a central dark shape, there are several dark shapes. Dark blue, one occupies the left third of the frame, then the two small ellipses are on the right half. The explanation is the closing up of the director's preference frame on the left side and you can mix repeated long shots of groups of equally spaced characters on the frame. For example, there are two shots from the opening scene.