Crime and Punishment by Fyodor Dostoevsky

In Fedor Dostoyevsky's "crime and punishment", the theme of conflict between duality, personal desire and morality is through most of the novels. There are two kinds of confrontations. One is a conflict between a disillusioned individual and his world, and the other is a conflict between an isolated soul and his inner thought. That is the internal contradiction of the main character Raskolnikov focusing on the majority of the novel. The first two aspects of Rodya were his intellectuals. This aspect of Rhodia is inhumane and shows extreme self-will and power.

Being human is full of contradictions. In Fyodor Dostoevsky 's novel "Sin and Punishment", the relationship between the killing of a young man and his friends and family is being investigated. Characters created by Dostoevsky are full of beautiful contradictions and they become more humanistic. The main character Raskolnikov is focused on Dostoevsky to explore the character's duality. "Raskol" in Russian means "split" or "split". This name has an internal view of Raskolnikov. He struggled between a conscience that urged him to do good and a cruel and reasonable aspect that urged him to do evil. His conscience urged him to be generous and kind to those who were not luckier than him. Once, Raskolnikov saw a young girl get drunk on the street. There was a senile old man behind her. Raskolnikov finds a nearby police officer and takes him to the scene

In crime and punishment, Dostoyevski leads his reader through the idea of ​​the ax killer. Raskolnikov declares himself "extraordinary", thinking that he is beyond customary law and ordinary people. In order to prove to the world that he is a special person, he committed murder instead of expecting punishment. But in Part 6, Raskolnikov seeks redemption, and this understands that he is the only way he can establish a relationship with Sonya. To do this, he must first overcome his pride and confessions. Raskolnikov's pride plays an important role in novels. His struggle to overcome his pride and the struggle of his inner fraud made Raskolnikov an emotional turmoil. "Many geniuses do not hesitate," Raskolnikov said, "He is also a genius" (500). Indeed, he murdered a high-quality elderly witch (457) to make society better (457). But soon his action began to bother him.