Courtly Love in Meg Bogin’s "The Women Troubadours"

Maria de Ventadorn wrote in a common style trbabairitz in the Southern France era. The series of Meg Bogin The Women Troubadours is used to outline the general aspects of Cote Love. This type of lyrics is called tension and is a common form of collaborative songs with alternating sections (16). In lyrics, the love like a court is presented in the form of a game, and the interest of Mrs. Maria is to win. This can be observed in her ideas about her opponent and her courtship. Tone of poetry is explained in a simple and informal way.

By literally using the word midons borrowed from Guilhem de Poitou, a bard can solve multiple audiences, the lords of the courts, men and women. Her sexual codewords, or senhan, scholar, Megberger, says that the plural meanings behind this term allow flattery flattery. In particular, the wife of the guardian thinks that she is her and then, in addition to making her subject to secret passion - it is always a secret romance - by letting her master make it just a "woman" And she is a man. "

Influenced by Arabian love songs, the bards of European courts in the 11th and 12th century prospered. (Female Singer Poet GIF) Between 1160 and 1260, a French woman in Mary De France and a French Occidental women poet created their own romantic love songs. Women's poetry is more personal and frank than male poetry. In the summary of this verse (translation by Meg Borg), the two sisters Ales and Iselda frankly discussed their feelings about marriage.

The word about court love, including laying, is usually set by a bard or bard. The scholar, Addis Butterfield, believes that the love of the court is "air of birds of many genres". I do not understand much about the method, time, place, purpose of these works, but I can speculate that these works were executed by prostitutes, prostitutes, or courtiers themselves in court. This can be inferred that people in the court are encouraged or expected to be "court" and are familiar with many different disciplines, including music. Some minstrels became very rich, they played the violin and sang a song about court love.

These songs are called coat love songs. The court love song comes from Troubadours. The minstrel is a poet from Southern France and is called "women". Poetry has become a poetry of worship lyrics. Music was always a celebration. It does not matter what celebration this is; it can be a celebration of love, victory or religious admiration. It is all reflected in Le Morte D'Arthur. At Le Morte D'Arhtur, love like a court was revealed through the Queen