Correggio and Rubens: A Comparison of Paintings of the Holy Family

In 1515, Antonio Allegri Correggio completed the depiction of the Virgin Mary and the young baptist St. John, depicting the sitting position of the Virgin Mary. Very young Christ and John the Baptist. About a century later, Peter Paul Rubens, St. Elizabeth and John the Baptist drew a holy family, but this time with Maria's husbands Joseph and St. John I painted the same three Biblical characters as Correggio. Mother of St. Elizabeth. Both works are based on canvas oil paintings and are currently being held at the Chicago Art Museum.

"Medea is trying to kill her children (Medéefurieuse)", the landscape of "Delacroix" of the Metropolitan Museum of Art centered around 1838. The first large-scale paintings of mythological artists summarized the inspiration of Correggio, Rubens and Rembrandt. . Agathon Strom of the New York Times held the first exhibition in North America at the Metropolitan Museum of Art on Monday. This complex, mysterious, basic character is called "Dracure" full service retrospective exhibition. At this year's exhibition held at the Louvre museum in Paris, the Metropolitan Exhibition was hundreds of large galleries, and occasionally exhibited approximately 150 paintings, printmaking and materials with the clarity of individual exhibitions.

Born in Correggio, Italy. It is mainly known as a hometown. The scholars believe that his father is a businessman, but little is known about Correggio's training except that it is an apprentice to Modena Francesco Bianchi Ferrara. In the early days of his career, Corregia lived in his hometown. One of his earliest paintings was Son Elizabeth and John's child worship (approximately 1508). He also drew some pictures of St. Andrew's Church in Mantua where he was completed in 1514. With the rise of his famous man, he was asked to draw the Madonna altarpiece for the St. Francis Monastery near Correggio.

When Rubens was working in Rome he was chosen to paint an altar for the high altar of Baritera's Santa Maria church instead of a contemporary Italian artist. And that is a very important background of anti-religious movements. Important Committee The Virgin and Child of Reuben, worshiped by Gregory and other saints, was drawn between the end of 1606 and the middle of 1607. But it reflected excess light and was replaced by a new version of Rubens on the same subject, this time it is a trilogy on three slate boards. Also, for the women of the Qing Dynasty, Rubens painted the shepherd worship for their church in Fermo from May 1608 to June 1608. These late two altars in late Italy showed a strong affinity with Correggio's works - the painter definitely influenced the development of the early Baroque style sensibly especially in Rome.