Contemporary Art: Marina Abramovic

Marina Abramovich was born in Yugoslavia in 1946. In the early 1970s she pursued the art of Belgrade and established the importance and use of performance as a visual art. Marina believes that the body is her medium and theme. After finding the psychological limit of her existence, she encountered serious pain and danger when asking for emotional transformation. Marina's work is more typical than traditional ones. It avoids arts like paint and canvas; however, the objective is to eliminate the distance between the artist and the audience while allowing the body to function as a medium.

As a problem, my "tweet's song" is named # iNeedHelp. Among them I saw all aspects of the performing art of Marina Abramovich (only my online performance - the way she uses her body, I will use my Twitter profile). I also saw the implementation of Ai Weiwei, of course the information itself comes from my experience and ideas. The text I use comes from my life and discipline as a writer. I plan to post as much text as possible. Obviously, I think a few people will react. I am looking forward to silence. I expect 4 or 5 people to react to 1000 people. But I think the results of this little experiment are very interesting - from many points of view

The concept of capturing time in art includes the theme of contemporary artists, as shown by Christian Baumgartner and Marina Abramovich. What are the themes of the two visual languages ​​that draw a sense of time? The opposite of the time itself is reflected not only in the parameters reflected in the medium, but also in the content. In other words, the reverse is also expressed at the theoretical level. Christian Baumgartner uses the illusion of motion continuity, but by freezing it it removes the illusion of time, but Marina Abramovich deals with the real and real aspects of time by prolonging the duration of the event . As you can see, there is a differentiated view to drawing and presenting real time and illusion.