Congreve's "The Way of the World": A Play on Power and Provisos

Power struggle. These three words contain the main contents of Congrev's drama "World Road". Between Mirabel and Miraman, the main character of the drama, Mirabel asked her to marry. Known as "attachment scene", it represents the biggest power struggle in the drama - a battle between two men and women. Some people think Miraman is more powerful than Mirabel. These "pro" scholars say that the proviso is an example of gender equality and progress in modern women's literature.

Congreve has created a complete character gallery in The Way of the World. His drama world is full of foolish, foolish, Coxcom, mistress, lover, villain, rural emotions, wisdom, and wisdom. However, "the road of the world" is often criticized because it represents a weakly superficial life. However, keep in mind that Congrev 's play is not a naturalistic reflection of the society he lives in. This is only a realistic explanation of a narrowly restored society with little concern for the everyday world beyond his social scope. Even in the "world" he represents, the Congreb focuses on Mirabel's behavior and how he finally acquires love and wealth.

William Congrave's World Way marriage After Charles II restored in 1660, this is a new comedy that exploded in the theater world in the UK and remains the preferred theater style for the rest of the century. The aim of these plays is to ridicule the censorship of people drawn on the stage of society, the world of society. - When suggesting a task to compare poetry of love, images that appear soon will typically be chocolate, flowers, romance, and some like "someone who conquers love" or "Everyone is fair to love and war" It is a cliche. However, "temptation" and "cousin Kate" explore readers' expectations for love poetry in a more deceiving way, but men use women rather than unrealistic and perfect relationships.