Conflict

Jack London's "To Build a Fire" and John Updike's "A & P" are very different, but it is an interesting story. Both authors chose different ways to choose their own tone. Updike wrote in a more relaxed and interesting way, while London chose to write in a more formal and serious way. The author has also developed many different roles. Updike chose to concentrate the story on my side, so London's hero is older and sturdier than complex girls and grocery stores.

Conflict: Conflict creates actions and intrigues of the story. This is a problem the hero is trying to solve. Contradiction can be both external and internal. The hero, the hero, experienced the conflict. The confrontation may be directed to external force or internal force. Back is the hero. Discuss and decide whether the dispute he experienced is internal or external. How does Back solve the conflicts he faces? Story map: I draw a story map. To do this, you must understand some of the novels. Fictitious parts include confrontation, ascent behavior, crisis, climax, decreasing behavior, resolutions and so on. Please consider the contradiction of the story before drawing the chart. Rising behavior comes from confrontation. This happens when the hero tries to solve the problem. The story crisis is a turning point. The turning point created a climax

Conflict is often misunderstood in novels. A wonderful story can not be created from everyday conflicts (controversy, abuse, fighting, battle, etc.). A wonderful story requires either a dramatic confrontation, a conflict related to the goal of the hero's story - to evolve more or stop it. To make a dramatic confrontation, a dramatic need and a dramatic obstacle are necessary. There will be a dramatic desire when the character wants to change. She can not tolerate this aspect of her life and must act. If she can live in the way she wants, if she can not remove what she wants and can not get worse further, it is a false desire to cause a false clash.