Conflict, Climax, Resolution

Now you have mastered the dynamics of writing. But writing stories and talking are two different things. To tell a story you need three basic elements: conflict, climax, and solution. In an amateur 's language, I question the problem that the character must face, solve the problem to the peak, then give the appropriate conclusion.

Contradiction - A story without direction is difficult to obey. Therefore, disputes must occur relatively early. Contradiction can be exactly different, and you can make twists at later stages of the story to add spices. It may be a general battle between extremists and evil. It can be human and nature, and sometimes internal conflict between man and self. Either way, the conflict builds the foundation for the rest of the story and informs the reader why they must care about the characters of your story.

Climax - You can not just bring a collision and stop the story. In order to present a good story, we must develop problems and related roles. This allows the reader to emotionally participate in the story and then turn the page to see what happens next. After all, this emotional accumulation is headed towards "climax". When the event is the most intense, the climax is the emotional climax of the story.

Solution - One of the worst things the author can do is to keep the audience open. If the author refuses to resolve the story, for some reason it tends to destroy the fans of the author. They feel that their loyalty in stories and series has been betrayed as if they were rewarded without any closed or unanswered questions. Please do not do this to the reader. Your confrontation does not necessarily have a positive solution - tragedy is a story of serious failure. Do not forget that it is really necessary

Collisions in the "minister's black veil", climax and resolutions, using literary critic's articles, to determine the central clash of stories, climax and partial resolution, Nathaniel Hawthorne's " I will analyze the minister 's black veil "Please help with this explanation. - The loneliness and loneliness of the "minister's black veil", and Hawthorn's life in Nathaniel Hawthorne's "black veil of the minister", we feel and watch the minister's loneliness, pastor Mr. Hooper / separation Did. This loneliness does not reflect the author 's life. According to A.N

Now you have mastered the dynamics of writing. But writing stories and talking are two different things. To tell a story you need three basic elements: conflict, climax, and solution. In an amateur 's words, ask a question that the character must deal with, resolve the problem to its peak, and then make an appropriate conclusion. Contradiction - A story without direction is difficult to obey. Therefore, disputes must occur relatively early. Contradiction can be exactly different, and you can make twists at later stages of the story to add spices. It may be a general battle between extremists and evil. It can be human and nature, and sometimes internal conflict between man and self. Either way, the conflict builds the foundation for the rest of the story and informs the reader why they must care about the characters of your story.

Climax: Like a confrontation, climax is an important part of storytelling. The climax usually occurs before the main conflicts in the plot end, or before the final resolution. At this peak of the story, the reader's interest is most excited, so they can find a conclusion by lowering the action. "Fiction" is defined as re-creation of imaginative life in the form of a prose story. All novels are fake because they are not at least described in the story, but they relate events that never occurred to those who never exist (characters). But the aim of the novelist is to create a "reasonable unreality". Because they try to show meaningful insight about human condition. Therefore, fiction is absolutely "authentic", but in the general sense it is true.