Conditions of Trade by Michael Baxandall

In the article "Terms and Conditions", 1 Michael Baxandre explains that Italian art of the 15th century is a "deposit" created by a commercial interaction between artists and buyers he called customers. did. Therefore, since money plays an important role in the history of art, these works are "fossils of economic life". Contrary to our current view on the relationship between artists and art, "Painters draw what they think is the best and then look for buyers." .

Painting and experience in Michael Baxandall (1933-2008) in the 15 th century in Italy is about half a century later of the art discussed by Biesse, not normal but normal. . He also researched "Institutions and traditions in the broadest meaning of business, religion, sensitivity, society - unlike us, they will affect forms co-creating". 83 Baxandall is trying to regain the premise of painters and spectators. And they think it is natural. He considered various historical information to build the Quattrocento cognitive style, as it relates to the Quattrocento pattern style. "84 Depending on the religious text and the nature of the committee, the importance of religious painting What aspects are determined. Expressing the image of a person in a traditional way, especially with its movement.

A famous art historian Michael Baxandall (1933-2008) discovered in the early 15th century that the values ​​changed dramatically. He believes that more and more customers are impressed not only by material exhibits of valuable materials such as gold and expensive pigments but also by the strength of the artist (Baxandall, 1972, Chapter 1). This is an important and highly esteemed view worthy of further discussion. There is no doubt that artistic skills have always been evaluated. It is expressed in artistic expression of artworks like Beauneu quoted above, carefully selected works of outstanding artists, expensive, expensive and great church. Other status items 47 - 8). Sugar's comment shows that even between 1145 and 1949 skills may be higher than material. On its own, art skills are not real problems, which is the cultural importance of expensive materials, the status of paintings, and the status of artists.