Comparison of Pope and Swift

Pope Alexander and Jonathan Swift did the opposite in the essence and function of the social cosmetics of the 18th century in each poem "Rock Rape" and "Progressive Beauty". In The Rape of the Lock, the Pope showed a positive reflection on the nature and function of cosmetics in the 18th century society. On the other hand, Swift's performance is very bad. It is worthy of praise that both poets clearly recognize and recognize women's natural beauty and its opposite view. Therefore, it expresses the nature and function of cosmetics.

In 1726 and 1727, writer Jonathan Swift (1667 - 1745) was in the UK and became a pope 's guest. They published three volumes together. Touching Swift certainly will move the Poem's poem "Darness", which appeared in the three book, Dunciad (1728). Theobald is the most important stupid, and in the second year the poem has been expanded by critic and text critic's ridiculous (broad comedy). Obviously the Pope used Danseed as a personal satire to repay a lot of the old points. But this is also due to the disgust for his entire process, which brought the writer an undisputed literary highlight (fame). Imitation of a classic epic (heroic poetry) (cartoon imitation) is a further simulation of heroic elements including the intervention of the goddess, the grand game of the second book, the vision of the underworld and the future vision .

Therefore, the last comparison of global similarities and differences between the Pope and Swift's sarcasm is that the Pope is calm and calm Holatiya satire, but Swift is Vulture, angry satirist, this Is a style that you can use to achieve a good purpose at the required time and place.

Pope and Swift are known for their sharp insights, and they all see the classic past masters of rationalism, their rhetoric and their independent satirical prototypes. In his "Rock of Rape", the Pope is the voice of Horatians, he lifts the mirror through the mirrors of the upper class foolishness and vanity, and slightly blames the society with a mean and elegant voice. The Pope did not actively attack the magnificence of British aristocracy's self-esteem, but as the reader has a new view that the behavior in the story can be easily thought of as being stupid and stupid We presented. The gentle ridicule of the upper class is more subtle and lyrical than his cruel counterpart, and the Pope still can effectively clarify the moral degeneration of the society to the public. The satirical tone of Swift depends on communicating information to realism and strictness sharper than his companion and fully demonstrates Juvenalian's satire and absurd ability.