Comparison of Picasso's Les Demoiselles d’Avignon and Guernica

In this article we will try to discuss and analyze the important issues and concepts related to Picasso's two most famous works, Les Demoiselles d'Avignon and Guernica. Discuss and explore the cultural, theoretical and conceptual relevance between the two works. I felt that Picasso's work had influenced many artists of the 20th century and contemporary artists and helped to shape the contemporary art world from sculpture to every aspect and art of art, so I made Picasso's work I decided to read. Typesetting

When comparing the two works of Picasso "Guernica" and "Les Demoiselles", there are some distinct differences. The most obvious difference between the two pictures is the color used by Picasso in "Les Demoiselles" rather than using black and white for "Guernica" pictures. Although the styles of the two pictures are clearly abstract, "Les Demoiselles" stands out more prominently in color than "Guernica". Each picture seems to be connected with a contrast line or a specific color.

Picasso, 25 drew Les Demoiselles d'Avignon in the winter from 1906 to 1907. His views on his subjects were created through conscious planning and some of his influences, similarities between Leonardo and Géricault. The description of a realistic 8 foot square game is as profound as other advances in the field of knowledge contributed by Picasso's contemporary artist Albert Einstein in the field of physics. I can not say that Picasso's masterpiece has been painted in painting 100 years ago, but to be honest, modernism began with his masterpiece.

Naturally, another piece of work by Pablo Picasso is on the list. This time is Les Demoiselles d'Avignon. The big oil painting of 1907 is a new facial expression of an artist and an important original three dimensional work. The depiction of the five naked prostitutes revealed in 1916 was too advanced for many viewers, even Henry Mathis said it "ugly". Chris Ofili was awarded the Turner award at his mixed media "The Virgin Mary", but when it was exhibited in New York in 1999 it caused anger. Art critic Rudy Giuliani depicting the naked chest of female genitalia surrounded by black malia and horse feces attracted her illness and disgust and attempted to appeal the Brooklyn Museum for dismantling it It was. Other protesters tried to paint it with white horse feces