Comparing Women's Revenge in The Oresteia and Medea

Comparing women's revenge in Oresteia and Medea Clytaemnestra and Medea are two women seeking justice about the mistakes made by their husbands. Clytaemnestra's husband, Agamemnon, is not wrong here, but is an indirect mistake. Agamemnon sacrificed her daughter's Iphigenia in order to calm the Thracian wind. For Clytaemnestra, this brought many hatred to Agamemnon. Here, Agamemnon betrayed Clytaemnestra and his daughter and asked for revenge on it. Medea's husband Jason insulted her with insincere attitude.

• Read tragedies from female characters that are not of other types (eg Medura of Euripides, Oresteia of Aeschylus, Trachis of Sophocles). Why do tragic people make this kind of women set on stage? From the viewpoint of a woman, what kind of problem do tragic people explore? Why are these problems so important? Unit 5: The Personality of Kryon - The Role of Gender, Identity and Male Ancient Greece is patriarchal - men have power (and are responsible) for city states and Oaks. Kryon's name is simply a "person ruler" (common name of the ruler) who leaves the rest of the family and the city suddenly by the death of another man in the Oedipus family. Sophocles explores how people respond when conflicts between the eiko and the police disrupt the loyalty. The value and motivation of Kryon is based on his role as a city national leader, and he defines himself by referring to the political realm.

Comparing women's revenge in Oresteia and Medea Clytaemnestra and Medea are two women seeking justice about the mistakes made by their husbands. Clytaemnestra's husband, Agamemnon, is not wrong here, but is an indirect mistake. Agamemnon sacrificed her daughter's Iphigenia in order to calm the Thracian wind. For Clytaemnestra, this brought many hatred to Agamemnon. Here, Agamemnon betrayed Clytaemnestra and his daughter and asked for revenge on it. - For most people, I think that the great female protagonist is intelligent, well-versed, and felt that she believes. Bernarda Alba from Federico Garcia Lorca by Euripides and Bernarda Alba from Meripa all match this explanation. One is a dictatorial mother who forces her choice to five daughters and the other is the most powerful non-Olympic woman in Greek mythology. If you look closely, you can see that there is much in common between these two letters.