Comparing the Truth in A Doll's House and Hedda Gabler

The truth about the advent of Doll's House and Hedda Gabler said, "Other playwrights did not have much meaning for women." (Farfan 60) Henrik Ibsen is a playwright in Norway, whose activity is notorious for exposing the truth that society tends to hide. Ibsen is very sensitive to the problem of women and insists on the rights of women through his work This is a controversial issue for male writers of the 19th century.

Two Isben's drama, A Doll's House and Hedda Gabler (one in each play), broke their stereotypes or models. These two characters are Nora and Heda. However, there are similarities between the two. In A Doll's House Nora is the hero, and in Hedda Gabler Isben chose to make Hedda an opponent. Both Nora and Haida are caught in a masculine world, but various approaches have been taken to make male counterparts independent. Nora simply chose to get rid of the problem she was facing. This behavior involves talking to children when most mothers encounter similar situations for their children. Nora was suppressed by Tobird's remarks. She tried to help her husband, and according to the author he saved his life. Tovard did not understand her sacrifice and was embarrassed about Nola's cheating. She was finally tired of being engaged by a small grandmother and engaged, and in the meantime decided to leave Tabardo which was unheard of.

Two examples of established practices are Nora and Hedda Gabler of A Doll's House. Ibsen also used the "retrospective" approach at A Dolls' House. The main event happened before the curtain climb. Drama includes ways the character handles these past events. The theme of Adores houses makes Eve a conservative enemy everywhere. It is unprecedented to question the status of women in society and to suggest that women's self are more important than their wife and mother role. The drama caused anger among many governments and church officials. Some people think that Ibsen is the cause of the increase in divorce rate. Some German theaters refused to play in the way Ibsen wrote. He was forced to write another "happy" ending, Nora saw the way of her mistake and did not go away. Despite tough criticism, this program is also popular in Europe. It is being translated into multiple languages ​​and done worldwide