Comparing the Poetry of Lanston Hughes and Countee Cullen

When comparing Ransuton Hughes and County Curren's poetry, the difference between Hughes and Karen is quite obvious. Hughes wrote in rhythm, Karen wrote in rhyme, but they are just styles differences. Hughes and Karen may write poetry in different styles, but they all write similar themes. They wrote in the Harlem Renaissance era when African Americans discovered their heritage and attempted to be accepted in a society where white people were dominant.

Cullen Karen and Langston Hughes were one of the most famous African-American poets of Harlem Renaissance. The Karen Committee's "I am amazed" and Langston Hughes's "I, too" are similar poems, because similar themes are personal personal to the racial inequality of the author It is because it expresses suffering. By comparing these two poems you can see the reality of racial discrimination by two famous black poets in the 1920s. Karen and Hughes were born within a year, so they were written in the same year (1925). This is important as it reflects the outstanding time of racial inequality. In two white dominant societies, the two poets had a hard time to become a feeling of a minority group of African Americans. Their poetry reflects injustice of racial discrimination, which is particularly pronounced in the poem "I am also" by Langston Hughes.

When comparing Ransuton Hughes and County Curren's poetry, the difference between Hughes and Karen is quite obvious. Hughes wrote in rhythm, Karen wrote in rhyme, but they are just styles differences. Hughes and Karen may write poetry in different styles, but they all write similar themes. - "Songs for Young Man Failing to Fail" and "Dulce and Decorum Est" are aversion to the fear of war, both of which use painful direct languages ​​and strong vocabulary expressions. The reader can admit the irony between the truth of the facts that occurred in the war and the family lies at the end of Owen's two poems.

Claude McKay, Karen, Hughes answered modernist's misunderstanding, inaccessible poetry, and wrote more accessible verses. Hughes said the poem "should be direct, easy to understand, simple expression." Harlem Renaissance's poetry avoids emotions, sermons, clumsy words, romantic escape. The poet is experimenting with black voice patterns, poetic shapes, rhythms, inspired by jazz and blues. The blooming center of Harlem Renaissance is music. Jazz clubs such as Harlem Casino, Sugar Cane Club and Cotton Club offer entertainment to black and white customers. Harlem is home to Duke Ellington and Fatzwoler. White people make up the majority of the audience. Caucasians are fascinated by the black life they see and exoticism in black art.

26 "Interpretation of Harlem Jazz I" (color lithograph of Japanese paper), was created by Winold Reiss from 1915 to 1920. Depending on the Congress library favor